诗学、变态与超越——《Thesmphoriazousai》的跨性别叙事探析

Isabel Ruffell
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引用次数: 1

摘要

摘要:阿里斯托芬的Thesmophoriazousai提供了一个与跨性别身份和实践的复杂参与。它通过各种动机和观众反应探索了多达七种不同的变性模式。在接受虚构/戏剧表演的同时,这些模式最好在该剧直接和间接暗示的更大的社会和文化框架内得到理解。与许多《老喜剧》一样,该剧以社会保守主义和概念灵活性为主题,但也承认了广泛的跨性别连续体,其创作张力使其得以恢复,并被酷儿观众和读者重新使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Poetics, Perversions, and Passing: Approaching the Transgender Narratives of Thesmophoriazousai
Abstract:Aristophanes’s Thesmophoriazousai offers a complex engagement with transgender identity and practice. It explores up to seven different transgendered modes through a variety of motivations and audience response. While embracing fictional/dramatic performance, these modes are best understood within the larger social and cultural framework that the play directly and indirectly suggests. Perched, like much Old Comedy, on the horns of social conservatism and conceptual flexibility, but also acknowledging a broad transgender continuum, the play’s creative tension allows for it to be recuperated and re-used by queer audiences and readers.
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