中世纪格鲁吉亚作为卫城的三维建筑模型概述

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Natalia Chitishvili
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引用次数: 0

摘要

南高加索的中世纪建筑发展了一种独特的传统,即制作教堂的三维模型。由于教堂形状的洞穴从未在格鲁吉亚进行过彻底的探索,因此本文将重点放在该地区幸存的例子上。特别注意的是分析建筑和雕塑方面的acroteria,以及他们的功能。本文旨在讨论格鲁吉亚教堂形状的acroteria的形式和功能方面。它的目的是探索在格鲁吉亚通常创建什么样的教堂模型,它们是如何设计的,以及它们在多大程度上与真实的建筑相似或不同。通常,建在教堂山墙顶部的模型是由石头制成的,尽管也可以找到釉面陶瓷浮雕,例如格鲁吉亚的Alaverdi大教堂。正如研究表明的那样,这些模型并不能复制真实的建筑;它们代表了实际建筑的删节图像,只重复它们的总体布局(交叉圆顶或很少的单中殿结构)和一些被选中的元素,这些元素显然被认为是acroterion创建时期建筑曲目的重要或典型元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
General Overview of the Three-dimensional Architectural Models as Acroteria in Medieval Georgia
Medieval architecture of the South Caucasus developed a unique tradition of making acroteria shaped as three-dimensional models of churches. Since the church-shaped acroteria have never been thoroughly explored in Georgia, this paper focuses on examples surviving in the region. Special attention is paid to analyzing the architectural and sculptural aspects of the acroteria, as well as their function. This paper aims at discussing both the formal and functional aspects of the church-shaped acroteria from Georgia. It is intended to explore what kind of church models were usually created in Georgia, how they were designed, and to what extent they resemble or differ from the real architecture. Typically, the model erected on the top of the gables of a church was made of stone, though glazed ceramic acroterion can be found as well, such as that of the Alaverdi Cathedral in Georgia. As the research has shown, the models do not replicate real architecture; they represent abridged images of actual buildings, repeating only their general layout (cross-domed or, rarely, single-nave structure) and a selected number of elements that were evidently considered essential or were typical elements of the architectural repertoire of the period in which the acroterion were created.
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来源期刊
Studia Ceranea
Studia Ceranea HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
10
审稿时长
22 weeks
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