Barbara Hammer与Queer |艺术:为未来而授

IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
Vanessa Haroutunian
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引用次数: 0

摘要

这篇文章描述了芭芭拉·哈默女同性恋实验电影制作奖是如何实现的,该奖由女同性恋实验电影制作人芭芭拉·汉默创建,并通过纽约市非营利组织Queer|Art管理。2017年,哈默联系了她的朋友兼同事Ira Sachs,通过他于2009年创立的非营利组织设立了一笔赠款来纪念她,该组织的使命是通过支持跨代、跨学科的LGBTQ+艺术和艺术家,创建一个多元化、充满活力的社区。作家兼赠款经理Vanessa Haroutunian描述了与哈默合作开发赠款的过程,哈默对代际、跨学科对话的承诺如何为后代创造了打破艺术界限的许可,以及她的遗产如何通过赠款的存在继续得到保护。哈默的使命——让自称女同性恋的实验电影制作人更容易创作——在弗洛里·伯克和哈默庄园的慷慨支持下,Queer|Art坚持了这一使命。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Barbara Hammer and Queer|Art: Granting for the Future
This essay describes how the Barbara Hammer Lesbian Experimental Filmmaking Grant came into fruition, created by the pioneering lesbian experimental filmmaker Barbara Hammer and administered through the New York City nonprofit organization Queer|Art. In 2017, Hammer approached her friend and colleague Ira Sachs to set up a grant in her honor, through the nonprofit he founded in 2009 with the mission to create a diverse and vibrant community through the support of LGBTQ+ art and artists across generations and disciplines. Author and grant manager Vanessa Haroutunian describes the process of working with Hammer to develop the grant, how Hammer's commitment to intergenerational, interdisciplinary conversation cultivated permission for future generations to break boundaries with their artwork, and how her legacy continues to be preserved through the grant's existence. Hammer's mission—to make it easier for self-identified lesbian experimental filmmakers to make work—has been upheld by Queer|Art with the generous support of Florrie Burke and the Hammer estate.
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来源期刊
CAMERA OBSCURA
CAMERA OBSCURA FILM, RADIO, TELEVISION-
CiteScore
0.30
自引率
0.00%
发文量
12
期刊介绍: Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.
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