{"title":"《黑噪音，白耳朵:韧性，说唱和乔丹·戴维斯之死》","authors":"William Cheng","doi":"10.7916/CM.V0I102.5367","DOIUrl":null,"url":null,"abstract":"I am a black woman over six feet tall. My laugh sounds like an exploding mouse. I squeak loudly and speak quickly when I get excited. I like knock in my trunk and bass in my music. . . . I am especially attuned to how my sonic footprint plays into how I live and if I should die. As a black woman, the bulk of my threat is associated with my loudness. – Regina Bradley (2015), on the “sonic disrespectability” of Sandra Bland","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"102 1","pages":"115"},"PeriodicalIF":0.0000,"publicationDate":"2018-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Black Noise, White Ears: Resilience, Rap, and the Killing of Jordan Davis\",\"authors\":\"William Cheng\",\"doi\":\"10.7916/CM.V0I102.5367\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"I am a black woman over six feet tall. My laugh sounds like an exploding mouse. I squeak loudly and speak quickly when I get excited. I like knock in my trunk and bass in my music. . . . I am especially attuned to how my sonic footprint plays into how I live and if I should die. As a black woman, the bulk of my threat is associated with my loudness. – Regina Bradley (2015), on the “sonic disrespectability” of Sandra Bland\",\"PeriodicalId\":34202,\"journal\":{\"name\":\"Current Musicology\",\"volume\":\"102 1\",\"pages\":\"115\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-03-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Current Musicology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7916/CM.V0I102.5367\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Current Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7916/CM.V0I102.5367","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Black Noise, White Ears: Resilience, Rap, and the Killing of Jordan Davis
I am a black woman over six feet tall. My laugh sounds like an exploding mouse. I squeak loudly and speak quickly when I get excited. I like knock in my trunk and bass in my music. . . . I am especially attuned to how my sonic footprint plays into how I live and if I should die. As a black woman, the bulk of my threat is associated with my loudness. – Regina Bradley (2015), on the “sonic disrespectability” of Sandra Bland
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