{"title":"“被现实摩擦的疯狂形象”:库布里克、神秘和1921年7月4日《闪灵》中的照片","authors":"G. Allen","doi":"10.3366/olr.2020.0303","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":"42 1","pages":"131-135"},"PeriodicalIF":0.2000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘A Mad Image, Chafed by Reality’: Kubrick, the Uncanny and the 4th of July 1921 Photograph in The Shining\",\"authors\":\"G. Allen\",\"doi\":\"10.3366/olr.2020.0303\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":43403,\"journal\":{\"name\":\"OXFORD LITERARY REVIEW\",\"volume\":\"42 1\",\"pages\":\"131-135\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OXFORD LITERARY REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/olr.2020.0303\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OXFORD LITERARY REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/olr.2020.0303","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
期刊介绍:
Oxford Literary Review, founded in the 1970s, is Britain"s oldest journal of literary theory. It is concerned especially with the history and development of deconstructive thinking in all areas of intellectual, cultural and political life. In the past, Oxford Literary Review has published new work by Derrida, Blanchot, Barthes, Foucault, Lacoue-Labarthe, Nancy, Cixous and many others, and it continues to publish innovative and controversial work in the tradition and spirit of deconstruction. Planned issues include ‘Writing and Immortality’, "Word of War" and ‘Deconstruction and Environmentalism’.