{"title":"从文学到哲学。德勒兹的普鲁斯特","authors":"D. Angelucci","doi":"10.4000/ESTETICA.5030","DOIUrl":null,"url":null,"abstract":"The present paper traces some of the main articulations of the book Marcel Proust and the signs (1964), in which the French philosopher Gilles Deleuze affirms the superiority of literature on classical rationalist philosophy in the search for truth. Proust’s work rivals the philosophy itself, since it brings into play the involuntary nature of memory and intelligence – a condition which lies at the beginning of every thought – which can grasp the truth only solicited and forced by chance encounters. Classical rationalist philosophy as a methodical exercise, induced by the good will of the thinker, can instead reach only abstract and conventional truths. The paper underlines how, according to Deleuze, Proust’s work will represent the model of authentic philosophy, the one that comes to produce with violence new concepts forced by problems and urgencies that impose themselves from outside. In fact, in Difference and Repetition (1968), the characteristics ascribed to the Proustian Recherche are explicitly attributed to a philosophy of Difference, which is posited by the author as the real need of his own time. In 1991, Gilles Deleuze and Felix Guattari posed the question: What is philosophy? The attributes previously assigned to the literature, reappeared in the answer to such a question. A paradoxical necessity – reached through contingent encounters on one side, and the involuntary nature of thought on the other side – will appear at the center of the book that closes the theoretical trajectory of Deleuze: such a paradox shows itself as the only condition for the “invention of concepts”, which is at the same time the definition and ultimate task of philosophical practice.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dalla letteratura alla filosofia. Il Proust di Deleuze\",\"authors\":\"D. Angelucci\",\"doi\":\"10.4000/ESTETICA.5030\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present paper traces some of the main articulations of the book Marcel Proust and the signs (1964), in which the French philosopher Gilles Deleuze affirms the superiority of literature on classical rationalist philosophy in the search for truth. Proust’s work rivals the philosophy itself, since it brings into play the involuntary nature of memory and intelligence – a condition which lies at the beginning of every thought – which can grasp the truth only solicited and forced by chance encounters. Classical rationalist philosophy as a methodical exercise, induced by the good will of the thinker, can instead reach only abstract and conventional truths. The paper underlines how, according to Deleuze, Proust’s work will represent the model of authentic philosophy, the one that comes to produce with violence new concepts forced by problems and urgencies that impose themselves from outside. In fact, in Difference and Repetition (1968), the characteristics ascribed to the Proustian Recherche are explicitly attributed to a philosophy of Difference, which is posited by the author as the real need of his own time. In 1991, Gilles Deleuze and Felix Guattari posed the question: What is philosophy? The attributes previously assigned to the literature, reappeared in the answer to such a question. A paradoxical necessity – reached through contingent encounters on one side, and the involuntary nature of thought on the other side – will appear at the center of the book that closes the theoretical trajectory of Deleuze: such a paradox shows itself as the only condition for the “invention of concepts”, which is at the same time the definition and ultimate task of philosophical practice.\",\"PeriodicalId\":53954,\"journal\":{\"name\":\"Rivista di Estetica\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rivista di Estetica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/ESTETICA.5030\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rivista di Estetica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/ESTETICA.5030","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
摘要
本文追溯了法国哲学家吉勒·德勒兹(Gilles Deleuze)在1964年出版的《普鲁斯特与符号》(Marcel Proust and The signs)一书中的一些主要论述,在该书中,他肯定了文学在寻找真理方面优于古典理性主义哲学。普鲁斯特的作品可以与哲学本身相媲美,因为它发挥了记忆和智慧的非自愿性质——这是每一个想法开始时的一种条件——只有在偶然的相遇中才能抓住真相。古典理性主义哲学作为一种有条理的实践,由思想家的善意引导,只能达到抽象和传统的真理。德勒兹认为,这篇论文强调了普鲁斯特的作品将如何代表真实哲学的模式,这种模式是由外部强加的问题和紧迫性强行产生的新概念。事实上,在《差异与重复》(1968)中,普鲁斯特研究所具有的特征被明确地归因于一种差异哲学,作者认为这是他自己时代的真正需要。1991年,Gilles Deleuze和Felix Guattari提出了一个问题:什么是哲学?以前赋予文献的属性,再次出现在对这样一个问题的回答中。一种矛盾的必然性——一方面是偶然的遭遇,另一方面是思想的非自愿性质——将出现在这本书的中心,这本书关闭了德勒兹的理论轨迹:这样的悖论表明自己是“概念发明”的唯一条件,这既是哲学实践的定义,也是哲学实践的终极任务。
Dalla letteratura alla filosofia. Il Proust di Deleuze
The present paper traces some of the main articulations of the book Marcel Proust and the signs (1964), in which the French philosopher Gilles Deleuze affirms the superiority of literature on classical rationalist philosophy in the search for truth. Proust’s work rivals the philosophy itself, since it brings into play the involuntary nature of memory and intelligence – a condition which lies at the beginning of every thought – which can grasp the truth only solicited and forced by chance encounters. Classical rationalist philosophy as a methodical exercise, induced by the good will of the thinker, can instead reach only abstract and conventional truths. The paper underlines how, according to Deleuze, Proust’s work will represent the model of authentic philosophy, the one that comes to produce with violence new concepts forced by problems and urgencies that impose themselves from outside. In fact, in Difference and Repetition (1968), the characteristics ascribed to the Proustian Recherche are explicitly attributed to a philosophy of Difference, which is posited by the author as the real need of his own time. In 1991, Gilles Deleuze and Felix Guattari posed the question: What is philosophy? The attributes previously assigned to the literature, reappeared in the answer to such a question. A paradoxical necessity – reached through contingent encounters on one side, and the involuntary nature of thought on the other side – will appear at the center of the book that closes the theoretical trajectory of Deleuze: such a paradox shows itself as the only condition for the “invention of concepts”, which is at the same time the definition and ultimate task of philosophical practice.