当历史和遗产入侵屏幕时。与哈维尔·奥利瓦雷斯的对话

IF 0.2 N/A ART
Sebastián Alberto Longhi Heredia, Aurora Forteza Martínez
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引用次数: 0

摘要

近年来,历史小说这一类型在西班牙电视上有了显著的发展。哈维尔·奥利瓦雷斯与伊莎贝尔(2012-2014)、维克托·罗斯(2015-2016)和El Ministerio del Tiempo(2015-2020)合作,成功地赋予了一个独特的宇宙生命,成功地用与西班牙文化遗产有关的历史人物侵入观众的屏幕。奥利瓦雷斯是当今西班牙小说最重要的制片人和编剧之一,他在本次采访中谈到了虚构和历史系列制作背后的逻辑。与西班牙艺术和历史中象征性人物的(重新)制作和(重新)创作有关的问题,他们的美学构建过程,他们的范围和对社会的影响程度,以及制片人即将推出的项目。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cuando la historia y el patrimonio invaden la pantalla. Diálogo con Javier Olivares
In recent years, the genre of historical fiction has seen notable growth in Spanish television. With Isabel (2012-2014), Victor Ros (2015-2016) and El Ministerio del Tiempo (2015-2020), Javier Olivares manages to give life to a unique universe, managing to invade viewers’ screens with historical characters linked to Spanish cultural heritage. Olivares, one of the most important producers and scriptwriters of Spanish fiction today, talks about the logic behind the production of fictional and historical series in this interview. Issues related to the (re) production and (re) creation of emblematic figures in the art and history of Spain, their aesthetic construction process, their degree of scope and thier impact on society, as well as the producer’s upcoming projects.
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来源期刊
CiteScore
0.40
自引率
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发文量
35
审稿时长
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