音乐师生的跨文化发展:文献综述

S. Kang
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引用次数: 0

摘要

在一个多元化的社会中,将一个人的态度从以种族为中心转变为与种族相关,以深入参与、协商和调和各种文化表现形式,这一点至关重要。使用跨文化发展的总括术语,我回顾了K-12和高等教育环境中音乐学生和教师的跨文化努力、背景和结果的实证研究。跨文化发展发生在各种背景下,包括课堂项目、大学伙伴关系、服务学习和专业发展。根据文献,在跨文化环境中工作的音乐学生和教师获得了与他们的跨文化发展相关的学习成果。结果包括跨文化能力和敏感性、音乐和教学理解以及对权力动态的批判性意识。在文献综述的基础上,我为音乐教学中的跨文化发展提供了启示,并为学者们提出了未来的研究方向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Intercultural Development Among Music Students and Teachers: A Literature Review
In a diverse society, it is crucial to transform one’s attitudes from ethnocentric to ethnorelative to deeply engage in, negotiate, and reconcile various cultural manifestations. Using the umbrella term of intercultural development, I reviewed empirical studies of cross-cultural endeavors, contexts, and outcomes among music students and teachers in K–12 and higher education settings. Intercultural development takes place in various contexts, including classroom projects, university partnerships, service learning, and professional development. According to the literature, music students and teachers working in intercultural settings have elicited learning outcomes related to their intercultural development. The outcomes included intercultural competence and sensitivity, musical and pedagogical understanding, and critical awareness of power dynamics. Based on the literature review, I provide implications for intercultural development in music teaching and learning, and suggest future research directions for scholars.
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