《血泪:15世纪末16世纪初的战争与悲痛》

Benjamin Deruelle, Laurent Vissière
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引用次数: 0

摘要

与传统史学所断言的相反,在叙述和文学资料中,情感的表达并不是没有的,这些资料提供了15和16世纪转折点上战争人员状况的信息。当战争艺术发生了意想不到的变化时,眼泪表现出哀悼和悲伤,但也表现出同情、喜悦或愤怒。他们对死亡、对出身高贵的军官的必要纪念,以及对父母、战友、甚至心爱的动物失踪的更为卑微的哀悼,表现出了不断变化的敏感性。这是一种真实情感创伤的症状,悲伤有时也会导致杀人的愤怒和报复。然后,眼泪伴随着被认为是战争客观参数的情绪而来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tears of blood: War and Grief at the End of the 15th and the Beginning of the 16th Centuries
Contrary to what traditional historiography asserts, the expression of emotions was not absent from the narrative and literary sources that provide information on the condition of men of war at the turning point of the fifteenth and sixteenth centuries. While the art of war underwent unexpected metamorphoses, tears manifested mourning and sadness, but also compassion, joy or anger. They demonstrated the changing sensitivity to death, to the necessary commemoration of officers of high birth, as well as to the more humble laments linked to the disappearance of a parent, a comrade-in-arms, or even a beloved animal. A symptom of a real emotional wounds, grief also sometimes lead to murderous fury and revenge. Tears then come along with emotions considered as an objective parameter of war.
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