What Makes a Modernist Short Story a Story?: The Case of Katherine Mansfield’s ‘At “Lehmann’s”’

ABSTRACT Allan Pasco has noted the relative paucity of critical attempts to define the short story as a genre. Most critics, he suggests, ‘insist upon the story, for the causally and chronologically constructed narrative is generally viewed as central.’ One means of moving beyond causation and chronology, we argue, is by recourse to the concept of the plot genotype, first elaborated by Vladimir Propp in his analysis of the Russian fairy tale. In this essay, we show how a refined Proppian morphology can be used to interpret Katherine Mansfield’s story ‘At “Lehmann’s”’ (1910). In doing so, we offer a model that is capable of accounting for short literary fictions, specifically modernist ones, that critics have tended to regard as ‘plotless.’