现实生活小说:流行呼叫中心叙事中的类型和真相主张

IF 0.3 0 ASIAN STUDIES
A. Guttman
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引用次数: 0

摘要

Chetan Bhagat的大作,是第一部关于业务流程外包工作的畅销小说,但并不是最后一部。自2007年以来,包括维克兰特·舒克拉、施卢蒂·萨克塞纳、阿尼什·特里维迪、布林达·纳拉扬和马库达尔·亚达夫在内的几位新作家都开始了自己的小说写作生涯,他们都采用了呼叫中心叙事,并特别借鉴了自己在公司的工作经历。就像Sudhindra Mokhasi的“真实”故事汇编一样,这些表面上是虚构的文本发挥了多种功能:指导未来的呼叫中心员工了解这个行业,打破对呼叫中心工作的负面看法,用年轻人狂欢的故事来娱乐读者。然而,也许最重要的是,流行文本中出现了一个日益壮大的印度中产阶级,他们希望在不离开南亚、不承认任何文化损失、缺失或自卑的情况下消费西方产品。在这样做的过程中,流行的呼叫中心文本为国内使用重新配置了全球化的叙述,这可能就是为什么这些小说和选集比业务流程外包工作的流行更受欢迎的原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Real life fiction: genre and truth claims in popular call centre narratives
ABSTRACT Chetan Bhagat’s blockbuster, was the first popular novel about business process outsourcing work – but not the last. Since 2007, several new authors, including Vikrant Shukla, Shruti Saxena, Anish Trivedi, Brinda Narayan and Makhudar Yadav have all launched careers in fiction writing by employing call centre narratives, and drawing specifically on their corporate work experience. Much like popular compilations of ‘true’ stories by Sudhindra Mokhasi, these ostensibly fictional texts perform a variety of functions: instructing prospective call centre employees on the industry, breaking down negative perceptions of call centre work and entertaining the reader with tales of youthful hijinks. Perhaps most importantly, however, popular texts interpolate a growing Indian middle class who wishes to consume the products of the west without either leaving South Asia or conceding any cultural loss, absence or inferiority. In so doing, popular call centre texts reconfigure narratives of globalization for domestic use, which may be why these novels and anthologies have gained far more popularity than the prevalence of business process outsourcing work alone would suggest.
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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