Social agency and prestige technology: serial production of gold appliqués in the early Iron Age north-west China and the Eurasian steppes

ABSTRACT Recent discoveries in north-west China and the Central Asian steppes have shed new light on the study of power display and material connections amongst nomadic groups during the development of gold-making technology in Iron Age Eurasia. Bringing together material science and archaeological approaches, this paper presents an interdisciplinary study of serially produced gold artefacts recovered from the elite burials of north-west China, to gain a better understanding of the inventive nature of early gold-making industry. In particular, we find that the technology used to craft the gold appliqués found in the Xigou cemetery (3rd-2nd centuries BCE) in north-west China attested to the use of moulds or matrices for serial production, closely linked to technological practice of the central Asians steppes. We consider the spread of the peculiar technique and iconography as a tangible way to examine technology transfer and cultural interactions. The contextual analysis reveals that the mould-pressing technique, the animal-style gold artefacts, and the burial practice of using prestigious gold as body adornment constitute a shared set of material expressions of the status and power of nomadic elites in north-west China, Kazakhstan and southern Siberia. Technological practice, in turn, opens up new research avenues in the field, recalibrating our recognition and understanding the active involvement of material objects in human life and culture.