论闹鬼记忆中的声音

IF 0.1 0 FILM, RADIO, TELEVISION

Short Film Studies Pub Date : 2019-04-01 DOI:10.1386/SFS.9.2.207_1

Libertad Gills

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引用次数: 0

摘要

本文将分析这篇视频文章中声音的使用，以及马丁所说的作者的声音如何与爱丽丝电影的图像和声音相结合，最重要的是，与爱丽丝的声音相结合。视频散文家的声音和导演的声音有何不同？这些声音教会了我们什么与图像对话的可能性？

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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On voice in Haunted Memory

This article will analyse the use of voice in this video essay and how the authors’ voice, spoken by Martin, engages with the images and sounds of Erice’s films, most importantly, with Erice’s voice. How do the voice of the video essayist and the voice of the director differ? And what do these voices teach us about the possibilities of speaking with, over and about images?

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来源期刊

Short Film Studies FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The main purposes of SFS are: To stimulate ongoing research on individual short films as a basis for a better understanding of the art form To provide a flow of cutting-edge teaching materials that can be used in courses in which short films are either studied or produced, at film schools or universities To offer fresh inspiration to filmmakers and other professionals working with short films in connection with festivals, national film institutes, regional film centres, etc. While the principal focus is on the short fiction film, other classic forms – such as the short documentary, the short experimental film and the short animation film – are also covered from time to time. In each issue, two productions are singled out for comprehensive presentation and close study. For each film, the reader will find production data, an interview with the director, a shot-by-shot breakdown of the film with a still illustrating every shot, a number of peer-reviewed articles that illuminate the film from a variety of perspectives and a link enabling subscribers to view the film.