终结联盟:哈基姆·贝与消失在自然中的方式

IF 1.2 Q2 ANTHROPOLOGY
Ayesha Adamo
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引用次数: 0

摘要

在他的后期作品中,彼得·兰伯恩·威尔逊(Peter Lamborn wilson)——许多人都叫他哈基姆·贝(Hakim bey)——开始在纽约州北部表演仪式艺术作品,他称之为“暗黑化”(Endarkenment)行为。本文探讨了Endarkenment从它在临时自治区肥沃的土壤中有机生长的开始,到它作为完全实现的仪式艺术的开花结果,在贝伊将魅力回归土地的意图的滋养下。通过与古代、超现实主义、乔治·巴塔耶、佐丹奴·布鲁诺、朱娜·巴恩斯等人的作品的相似之处,Endarkenment的身体在消失于自然的那一刻进入了人们的视野,让人们了解到Endarkenment可以作为一种完全实现的内部转化形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The League of Endarkenment: Hakim Bey and the Way of Disappearance into Nature

Among his later works, Peter Lamborn Wilson—known to many as Hakim Bey—began performing ritual art pieces in Upstate New York, which he referred to as acts of “Endarkenment.” This paper explores Endarkenment from the beginning of its organic growth in the fertile soil of The Temporary Autonomous Zone, to its blossoming as fully-realized ritual art, nourished by Bey's intention of returning enchantment back to the land. Through parallels in the works of antiquity, Surrealism, Georges Bataille, Giordano Bruno, Djuna Barnes, and others, an adumbration of the body of Endarkenment comes into view at the very moment of its disappearance into Nature, giving an idea of what Endarkenment could be as a fully realized form of internal transformation.

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来源期刊
CiteScore
1.40
自引率
33.30%
发文量
27
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