书评:Emily O’Gorman,《旱地中的湿地:墨累-达令盆地的人类历史》

IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES
R. Giblett
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引用次数: 0

摘要

这些照片是否为拳击和赛马在作弊丑闻、黑社会参与和刚刚起步的种族融合时期提供了合法性?克雷斯韦尔的章节和奥特的章节都以推测性的解释结束,即由迈布里奇的摄影介导的监视的美学和道德元素如何通过软件介导的对人类流动的监视在我们的当代产生共鸣。这个结论中缺少的是对种族政治流动性的关注,这使得这本书成为对迈布里奇摄影的大量批判性学术研究的一个受欢迎的补充。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Book review: Emily O’Gorman, Wetlands in a Dry Land: More-Than-Human-Histories of the Murray-Darling Basin
whether the photographs afforded legitimacy to boxing and horseracing at a time of cheating scandals, underworld involvement, and fledgling racial integration. Cresswell’s chapter and Ott’s each conclude with speculative interpretations of how aesthetic and moral elements of surveillance mediated by Muybridge’s photography might resonate in our contemporary era through software-mediated surveillance of human mobility. Missing from this conclusion is the focus on a racial politics of mobility that makes the book a welcome addition to the sizeable body of critical scholarship on Muybridge’s photography.
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
46
期刊介绍: Cultural Geographies has successfully built on Ecumene"s reputation for innovative, thoughtful and stylish contributions. This unique journal of cultural geographies will continue publishing scholarly research and provocative commentaries. The latest findings on the cultural appropriation and politics of: · Nature · Landscape · Environment · Place space The new look Cultural Geographies reflects the evolving nature of its subject matter. It is both a sub-disciplinary intervention and an interdisciplinary forum for the growing number of scholars or practitioners interested in the ways that people imagine, interpret, perform and transform their material and social environments.
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