核磁共振波谱在音乐创作中的应用——原理、实践与可能性

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2021-10-20 DOI:10.1080/09298215.2022.2043389

A. Reddy

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引用次数: 0

摘要

核磁共振（NMR）光谱是一种在自然科学中常用的分析技术，致力于检测与外部应用的放射源共振的磁自旋排列原子核。这项工作概述了使用核磁共振数据创作的音乐，并概述了其在作曲中的使用原则。演示了核磁共振谱的声波化和音乐解释方法，并确定了其作为音乐技术发展的机会。缩写：12-TET：十二音同气质；ADC：模数转换器；COSY：相关光谱学；FID：自由诱导衰变；FT：傅立叶变换；核磁共振：核磁共振；PCM：脉冲编码调制；PPM：百万分之一；SNR：信噪比；TMS：四甲基硅烷图形摘要

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On the use of nuclear magnetic resonance spectroscopy in music composition- principles, practice and possibilities

Nuclear Magnetic Resonance (NMR) spectroscopy is an analytical technique commonly used across the natural sciences that works upon the detection of magnetically spin-aligned atomic nuclei resonating with an externally applied radio source. This work presents an overview of music created using NMR data and outlines principles for its use in composition. Methods for the sonification and musical interpretation of NMR spectra are demonstrated and opportunities for its development as a musical technique are identified. Abbreviations: 12-TET: Twelve-Tone Equal Temperament; ADC: Analogue to Digital Converter; COSY: Correlation Spectroscopy; FID: Free Induction Decay; FT: Fourier Transform; NMR: Nuclear Magnetic Resonance; PCM: Pulse Code Modulation; PPM: Parts per million; SNR: Signal-to-noise ratio; TMS: Tetramethylsilane GRAPHICAL ABSTRACT

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.