{"title":"奥尔加Taxidou。希腊悲剧与现代主义表演:作为戏剧的希腊主义","authors":"G. Di Martino","doi":"10.3138/md-66-1-rev7","DOIUrl":null,"url":null,"abstract":"Greek Tragedy and Modernist Performance charts the importance of performance to late nineteenth- and twentieth-century modernist experiments while also demonstrating the centrality of Greek tragedy to such experiments. For these artists, Greek theatre, and Greek tragedy in particular, represents the ideal model and form with which to critique the past and renew the future.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Olga Taxidou. Greek Tragedy and Modernist Performance: Hellenism as Theatricality\",\"authors\":\"G. Di Martino\",\"doi\":\"10.3138/md-66-1-rev7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Greek Tragedy and Modernist Performance charts the importance of performance to late nineteenth- and twentieth-century modernist experiments while also demonstrating the centrality of Greek tragedy to such experiments. For these artists, Greek theatre, and Greek tragedy in particular, represents the ideal model and form with which to critique the past and renew the future.\",\"PeriodicalId\":43301,\"journal\":{\"name\":\"MODERN DRAMA\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MODERN DRAMA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/md-66-1-rev7\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN DRAMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/md-66-1-rev7","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Olga Taxidou. Greek Tragedy and Modernist Performance: Hellenism as Theatricality
Greek Tragedy and Modernist Performance charts the importance of performance to late nineteenth- and twentieth-century modernist experiments while also demonstrating the centrality of Greek tragedy to such experiments. For these artists, Greek theatre, and Greek tragedy in particular, represents the ideal model and form with which to critique the past and renew the future.