对埃利蒂斯的《克里纳戈拉斯》的一些评论

IF 0.3 4区社会学 N/A HUMANITIES, MULTIDISCIPLINARY

BYZANTINE AND MODERN GREEK STUDIES Pub Date : 2022-10-01 DOI:10.1017/byz.2022.18

Cristiano Luciani

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引用次数: 0

摘要

古希腊诗人，如阿尔凯乌斯和萨福，以及后来的克里纳哥拉斯，通过埃利蒂斯的诗歌赋予了新的文学意义，这要归功于他对片段和警句的个人重构。从碎片中重建或恢复警句的技术与Elytis在创作自己的诗歌时使用的所谓的“棱镜表达”类型并不是没有联系的:棱镜的多面体和晶体形式允许自身重要的方面共存，但是，当它们被安排在一个新的组成部分时，创造了一个新的和谐的实体。

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Some remarks on Elytis’ Crinagoras

Ancient Greek poets such as Alcaeus and Sappho, and later Crinagoras, took on through Elytis’ poetry a new literary significance, thanks to his personal reconstruction of fragments and the epigram respectively. The technique of reconstruction from fragments or restoring epigrams is not unconnected with the type of so-called ‘prismatic expression’ used by Elytis in the creation of his own poetry: a prism's polyhedral and crystalline form allows for the coexistence of facets significant in themselves, but which, when arranged in a new composition, create a new and harmonious entity.

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来源期刊

BYZANTINE AND MODERN GREEK STUDIES HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

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0.00%

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期刊介绍： Byzantine and Modern Greek Studies is an internationally recognised, peer-reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published twice a year in spring and autumn, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of Byzantine and Modern Greek scholarship, whether historical, literary or social-anthropological. It welcomes research, criticism, contributions on theory and method in the form of articles, critical studies and short notes.