哲学可以繁荣吗:泛神论、共济会和十八世纪的仪式哲学

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Pannill Camp
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引用次数: 0

摘要

在18世纪的欧洲,仪式表演行为被有意识地用于哲学目的。有记载的最丰富的例子是共济会,一个自愿的兄弟组织,吸引了成千上万的人,在欧洲和其他地方,参加一个秘密的仪式实践。共济会理解仪式,共济会“工艺”的核心,作为一个哲学活动本身。为了支持这一主张,需要对共济会与特定的启蒙哲学结构——政治思想中的君主立宪主义和自然哲学中的自然神论牛顿主义——唯一相容的流行观点进行批判。而不是表达这些具体的哲学观点,共济会的仪式效果的哲学反思,除了外部世界。约翰·托兰(John Toland)的原始共济会仪式文件《泛神论》(Pantheisticon)展示了早期现代仪式如何在分会环境中培养思维,以及如何区分共济会和“世俗”实体。在此基础上,可以认为,在这个时代和以后的表演应该被理解为知识的生成遏制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
May Philosophy Flourish: Pantheisticon, Freemasonry, and Eighteenth-Century Ritual Philosophy
In eighteenth-century Europe, ritual performance behavior was consciously used for philosophical purposes. The richest documented instances of this involved Freemasonry, a voluntary fraternal order that drew tens of thousands of men, across Europe and beyond, into a secretive ritual practice. Masons understood ritual, the core of Masonic “craft,” as a philosophical activity in itself. Supporting this claim requires a critique of the prevalent view that Freemasonry was uniquely compatible with specific Enlightenment philosophical constructs—constitutional monarchism in political thought and deistic Newtonianism in natural philosophy. Rather than expressing these specific philosophical views, Masonic ritual effectuated philosophical reflection apart from the outside world. John Toland's proto-Masonic ritual document Pantheisticon shows how early modern rituals fostered thinking in lodge settings and distinguished between Masonic and “profane” entities. On this basis it can be argued that performance in this era and beyond should be understood as the generative containment of knowledge.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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