破裂,而不是伤害:黑人和土著青年经历学校排斥的重建修复

IF 0.4 4区 社会学 0 ART
Jade Nixon, Sefanit Habtom, E. Tuck
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引用次数: 1

摘要

在这篇文章中,作者描述了他们与多伦多黑人和土著高中生进行的多年青年参与性行动研究项目“理解运动”(MSOM)。MSOM的青年联合研究人员设计了一项关于学校罢课的研究,揭示了学校中种族主义的普遍性以及学校工作人员对种族主义事件的反应不足。学校工作人员和教师经常将种族主义事件视为可以轻易解决的孤立事件。然而,作者将黑人和土著学生在高中的种族主义经历置于定居和奴隶制的持续遗产中。学习黑人和土著女权主义关于破裂和拒绝的理论——参见哈特曼的《主体场景:19世纪美国的恐怖、奴隶制和自力更生》(1997);Simpson的《莫霍克语中断:跨越定居者国家边界的政治生活》(2014);塔克和杨的“非殖民化不是隐喻”(2012)——作者邀请读者重新定义修复的简易性和完整性。他们将种族主义和反种族主义理论化为一种破裂而非伤害,这对学校政策和学校如何应对种族主义具有重要意义。通过超越修复框架,作者将断裂作为一个更有意义的起点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rupture, not injury: reframing repair for Black and Indigenous youth experiencing school pushout
In this article, the authors describe their multi-year youth participatory action research project, Making Sense of Movements (MSOM), with Black and Indigenous high school students in Toronto. Youth co-researchers in MSOM designed a study on school pushout that reveals the pervasiveness of racism in schools and the inadequacy of responses to racist incidents by school personnel. School staff and teachers often treat racist incidents as isolated events that can be easily resolved. However, the authors situate Black and Indigenous students’ experiences of racism in their high schools within the ongoing legacies of settlement and slavery. Learning from Black and Indigenous feminist theories of rupture and refusal – see Hartman’s Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (1997); Simpson’s Mohawk Interruptus: Political Life across the Borders of Settler States (2014); and Tuck and Yang’s ‘Decolonization is not a metaphor’ (2012) – the authors invite readers to reframe the assumed ease and completeness of repair. They theorize racism and antiblackness as a rupture rather than an injury, which has important implications for school policy and how schools address racism. By moving beyond reparative frameworks, the authors engage rupture as a more meaningful starting place.
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来源期刊
CiteScore
2.50
自引率
0.00%
发文量
0
期刊介绍: journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine
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