中国古代服饰结构数字化复原的绘画技术与方法——以清代藏丝绸长袍为例

Yuting Zheng
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引用次数: 0

摘要

长期以来,学术界对中国古代传统服饰的研究大多停留在“形而上”的层面,基于服饰“结构机制”的历史研究非常有限。但是,服装结构喜欢建筑结构,包含了古人的创作思路和功能考量,而结构的数字化修复是深入研究、保护和传承中国古代传统服装文化不可或缺的一部分。本文以清代藏丝绸长袍为例,逐步阐述了结构复原图绘制技术。以期从服饰科学的角度为中国传统服饰文化的全面保护和传承提供技术解决方案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Drawing Technology and Method of Digital Restoration of Ancient Chinese Costume Structure—Take Tibetan Silk Robe in the Qing Dynasty as an Example
For a long time, most of the research on ancient Chinese traditional costume in the academic circle has remained at the "metaphysical" level, and the historical research based on the "structural mechanism" of costume is very limited. However, the costume structure likes the architectural structure, contains the creation ideas and functional considerations of the ancients, and the digital restoration of the structure is an indispensable part of the in-depth study, protection and inheritance of ancient Chinese traditional costume culture. This paper takes the Tibetan silk robe in the Qing Dynasty as an example, elaborating the structure restoration drawing technology step by step. In order to provide technical solutions for the comprehensive protection and inheritance of the Chinese traditional costume culture from the perspective of costume science.
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