从舞台到拳击场:1948–1956年日本女子职业摔跤的早期

IF 0.6 3区 历史学 Q1 HISTORY
Tomoko Seto
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引用次数: 0

摘要

摘要:本文以战后美日关系的不平衡和媒体话语的性别化为背景,探讨了日本女子职业摔跤运动的早期转型,尤其关注女性在社会约束和自身能力者之间模糊的界限。1948年,在美国军事基地,两个哥哥和一个妹妹为了养家糊口,开始了一场男女混合的摔跤比赛,兄弟姐妹和其他一些人很快就转变为在美国和日本观众面前呈现全女性比赛。1954年,美国女摔跤手的巡回赛引发了日本女子职业摔跤运动的激增,激励了更多的女性成为摔跤手。近年来,研究战后早期日本流行文化的学者将性别视角应用到国家、性和亲密关系的话语中。为了与这一实践保持一致,并使这一领域进一步复杂化,本文认为,通过对女性在明显的性别娱乐摔跤中的经历的考察,揭示了美国人所倡导的“解放”与战后日本社会父权要求之间的紧张关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From the Stage to the Ring: The Early Years of Japanese Women’s Professional Wrestling, 1948–1956
Abstract:Set against the background of uneven US-Japan postwar relations and a gendered media discourse, this article explores the early transformation of Japanese women’s professional wrestling, focusing particularly on the blurred boundary between women’s societal constraints and their own agency. Originating in 1948 on US military bases with a mixed-gender wrestling match between two older brothers and a younger sister seeking to support their family, the siblings, with a few others, soon shifted to presenting all-female bouts before American and Japanese audiences. The American female wrestlers’ tour in 1954 sparked the proliferation of women’s professional wrestling in Japan, inspiring more women to become wrestlers. In recent years, scholars of early postwar Japanese popular culture have applied a gendered lens to discourses of nation, sexuality, and intimacy. In keeping with this practice and to further complicate the field, this article argues that through the examination of the experience of women in the conspicuously gendered entertainment of wrestling, the tension between the “liberation” promoted by Americans and the patriarchal demands of postwar Japanese society is revealed.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Journal of Women"s History is the first journal devoted exclusively to the international field of women"s history. It does not attempt to impose one feminist "line" but recognizes the multiple perspectives captured by the term "feminisms." Its guiding principle is a belief that the divide between "women"s history" and "gender history" can be, and is, bridged by work on women that is sensitive to the particular historical constructions of gender that shape and are shaped by women"s experience.
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