在Węgajty剧院的《卡勒瓦拉》中使用不同文化的文学和歌曲fragmenty niepisane

IF 0.4 0 LITERATURE

Acta Neophilologica Pub Date : 2023-06-23 DOI:10.31648/an.8664

Trevor Hill

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引用次数: 0

摘要

尽管在2000-2001年制作和表演了Projekt Terenowy WÉgajty的《Kalevala》；fragmenty niepisane几乎没有受到任何学术关注。本文试图通过研究德国、俄罗斯和乌克兰歌曲在制作中的使用来部分纠正这一问题。这篇文章对照了该小组早期的项目，探讨了制作背后的背景，以及来自不同文化和语言的歌曲是如何被用来展示芬兰史诗的，并考虑到这些策略的总体有效性。

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The use of literature and songs from varying cultures in Węgajty Theatre’s Kalevala; fragmenty niepisane

Despite being produced and performed in 2000-2001 Projekt Terenowy Węgajty’s Kalevala; fragmenty niepisane has received practically no academic attention. This article seeks to partly redress this by examining the use of German, Russian and Ukrainian songs in the production. The article examines the work against the group’s earlier projects as well as exploring the background behind the production and how songs from various different cultures and languages were used to illustrate the Finnish epic, as well considering how effective the strategies were overall.

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来源期刊

Acta Neophilologica LITERATURE-

CiteScore

0.40

自引率

0.00%

发文量

审稿时长

16 weeks

期刊介绍： The scientific journal Acta Neophilologica is the review of Slovenian experts in English-speaking, German-speaking and French- and Italian-speaking literary historians that publishes scientific studies of international and domestic scientists in the field of Western-European, American and other literatures in English. The journal pays special attention to the problems from the history of cultural and especially literary and theatre contacts between Slovenia and Western-European literatures, as well as the problems of Slovenian emigrant literature. The articles are published in the world language (English, German, French, Italian) the literature of which the author analyzes, the abstracts are written in a foreign language and the summaries in the Slovenian language.