匈牙利皇家制花边学校在Körmöcbánya(Kremnica)的成立及其对20世纪制花边小屋业的影响

Q3 Arts and Humanities
Lilla Erdei T.
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引用次数: 0

摘要

位于Körmöcbánya的匈牙利皇家国立花边学校是匈牙利线轴花边制作领域最早的独立机构。不幸的是,关于这所学校的信息很少,主要是由于《特里亚农条约》修改了国家边界。在对上匈牙利(现在主要是现在的斯洛伐克)剩余的草编家庭手工业进行调查后,从1883年起,在巴尔县和索利翁县(在Úrvölgy、Sóvár、Eperjes和Hodrusbánya)的巡回讲习班上组织教学。作为校本教学系统的一部分,年度培训课程可能于1894年左右开始实施,1899年起,位于科尔莫克班亚的匈牙利皇家国立花边学校出版了年鉴。直到1909年(1888/89学年除外),Körmöcbánya一直是行政中心,而教学则在当地学校进行,首先是在Jánoshegy,然后是在Öhegy、János rét、Kunosvágás和Kékellõ,学校相继开学。贫困学生获得奖学金参加为期两年的培训,那些希望在家庭手工业工作的学生在毕业后获得就业。除了介绍该校教授的易于销售的Carlsbad、Idrija、Cluny和Torchon蕾丝图案外,Béla Angyal还是第一个通过添加新的匈牙利设计来扩大Upland蕾丝图案库的人,而Emília Angyal则负责其技术开发。有一段时间,上匈牙利国家资助的蕾丝制作为工薪家庭的女性成员提供了相对良好的生计,尽管这种情况随着廉价外国蕾丝的涌入而改变,尤其是随着大规模生产的普及。除了流行的外国图案和技术外,Körmöcbánya的学校在匈牙利新工具的传播中也发挥了重要作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Establishment of the Royal Hungarian State School of Lacemaking in Körmöcbánya (Kremnica) and Its Impact on the Lacemaking Cottage Industry in the 20th Century
The Royal Hungarian State School of Lacemaking in Körmöcbánya was the earliest independent institution in the field of Hungarian bobbin lacemaking. Unfortunately, there is little information available about the school, largely due to the revision of national borders as a result of the Treaty of Trianon. Following a survey of what remained of the lacemaking cottage industry in Upper Hungary [now mostly present-day Slovakia], teaching was organized from 1883 in itinerant workshops in Bars and Zólyom counties (in Úrvölgy, Sóvár, Eperjes, and Hodrusbánya). Annual training courses, as part of a school-based teaching system, were introduced probably in around 1894, and from 1899 yearbooks were published by the Royal Hungarian State School of Lacemaking in Körmöcbánya. Until 1909 (with the exception of the 1888/89 academic year), Körmöcbánya functioned as the administrative center, while teaching took place in local schools, first in Jánoshegy and subsequently in Óhegy, Jánosrét, Kunosvágás, and Kékellő, where schools opened in succession. Poorer students were awarded scholarships to participate in the two-year training, and those who wished to work in the cottage industry were given employment following graduation. Besides introducing the readily marketable Carlsbad, Idrija, Cluny, and Torchon lace patterns that were taught at the school, Béla Angyal was the first to expand the treasury of Upland lace patterns with the addition of new Hungarian designs, while Emília Angyal was responsible for their technical elaboration. For a while, state-sponsored lacemaking in Upper Hungary provided a relatively good livelihood for the female members of working families, although this situation changed with the influx of cheap foreign lace, and especially with the spread of mass production. Besides popular foreign patterns and techniques, the school in Körmöcbánya also played an important role in the spread of new tools in Hungary.
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来源期刊
Acta Ethnographica Hungarica
Acta Ethnographica Hungarica Arts and Humanities-Music
CiteScore
0.60
自引率
0.00%
发文量
37
期刊介绍: This journal publishes contributions describing recent scientific advances in the field of ethnography, folklore, and cultural and social anthropology. Emphasis is laid on subjects related to Hungarian ethnography and folklore as well as on works presenting Hungarian folklore in the context of Eastern European and Eurasian cultures. Publishes book reviews and advertisements.
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