无法理解且具有讽刺意味。施莱格尔与德曼的哲学与文学

IF 0.1 4区 哲学 0 PHILOSOPHY
M. Cometa
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引用次数: 0

摘要

反讽哲学自其浪漫起源以来,由于其方法论和逻辑上的不确定性以及与文学的沾染,一直没有什么好名声。无论我们谈论的是弗里德里希·施莱格尔还是保罗·德曼,是索伦·克尔凯郭尔还是弗里德里希·尼采,是理查德·罗蒂还是彼得·斯洛特戴克,“讽刺家”都是令人讨厌的,因为他们即使在死亡边缘也能说:“然而”。哲学对讽刺家的指控是基于三个“怀疑”:1)他们在哲学上不一致,因此,他们最终不知道如何讽刺自己;(2)他们的反讽只是一种伪装的“自我论”,正如黑格尔所主张的那样,并采用了文学形式;3)最后,它们被一种人类学上的“缺乏承诺”所破坏,或者——正如罗蒂所说——“缺乏团结”,因此,从社会和政治的角度来看,它们往往是无效的,甚至是有害的。在接下来的几页中,我将试图通过对两篇属于这种文化(不仅仅是文学)分析传统的文本的密切和“讽刺”的阅读来消除这些“怀疑”,讲述弗里德里希·施莱格尔和保罗·德曼这两位象征性思想家之间的选择性亲和力的故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Incomprensibilità e ironia. Filosofia e letteratura in Friedrich Schlegel e Paul de Man
The philosophy of irony has had, since its romantic origins, no good reputation because of its methodological and logical inconclusiveness and its contamination with literature. Whether we talk about Friedrich Schlegel or Paul de Man, about Soren Kierkegaard or Friedrich Nietzsche, Richard Rorty or Peter Sloterdijk, the “ironists” are hated because of their ability to say, even on the verge of death: “however”. The charge that philosophy makes against ironists is based on three “suspicions”: 1) that they are not philosophically consistent and, therefore, that they, ultimately, do not know how to ironize themselves; 2) that their irony is only a disguised “egology”, as Hegel would claim and assumes literary forms; 3) finally that they are vitiated by a sort of anthropological “lack of commitment”, or – as Rorty would say – a “lack of solidarity”, and, therefore, they are quite often ineffective and even harmful from a social and political point of view. In the following pages I will try to dissolve these “suspicions” through a close and “ironic” reading of two texts that belong to this tradition of cultural (not only literary) analysis, telling the story of an elective affinity between two emblematic thinkers: Friedrich Schlegel and Paul de Man.
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来源期刊
Rivista di Estetica
Rivista di Estetica PHILOSOPHY-
CiteScore
0.50
自引率
0.00%
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审稿时长
30 weeks
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