“现在我们真的在玩音乐”:墨西哥芝加哥的Sones和父母的转变

IF 0.6 1区 艺术学 0 MUSIC
J. Maurer
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引用次数: 0

摘要

在过去的二十年里,美国的墨西哥sones复兴受到了越来越多的学术关注,主要集中在这种音乐在年轻人中形成社区和政治活动的能力上。这篇文章考察了儿子复兴的另一个方面:芝加哥最近成立的一所墨西哥音乐学校的父母和年幼的孩子。这种类型的机构——非政府的,但比传统的社区传播更正式——正在美国城市的许多种族社区和音乐传统中扩散。这篇文章展示了这些项目如何在将新人群带入音乐复兴运动的同时产生意想不到的变革性影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Now We're Actually Playing Music”: Sones and Parental Transformation in Mexican Chicago
The US-based revival of Mexican sones has received increased scholarly attention in the past two decades, primarily focused on the music's capacity for community formation and political activism among young adults. This article examines a different side of the son revival: parents and young children at a recently established Mexican Music School in Chicago. This type of institution—nongovernmental, but more formalized than traditional community transmission—is proliferating across many ethnic communities and musical traditions in US cities. This article shows how such programs can have unexpected transformative effects while bringing new populations into a music revival movement.
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来源期刊
CiteScore
1.30
自引率
14.30%
发文量
30
期刊介绍: As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.
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