家庭陌生感:解读新一代马拉雅拉姆电影中的家庭空间

IF 0.3 0 ASIAN STUDIES
Mohammed Shafeeq, Zeenath Mohamed Kunhi
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引用次数: 1

摘要

文化研究和媒介理论中的空间性和空间转向对当代话语中的学术对话和文本分析产生了重要影响。在这种背景下,本文试图运用空间性话语来解读新一代马拉雅拉姆电影叙事中的家庭空间,认为这些电影中的性别空间直接或间接地试图突出和颠覆导致性别叙事实践的生殖非规范性的正常化。为了批判性地参与diegetic空间性的范畴,我们探索了两部具有代表性的新一代马拉雅拉姆电影,《班加罗尔的日子》(2014)和《昆巴兰吉的夜晚》(2019)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Familial unfamiliarity: Reading family spaces in New Generation Malayalam cinema
ABSTRACT Spatiality and the spatial turn in cultural studies and media theory have critically influenced academic dialogues and the analysis of texts in contemporary discourses. In this context, the paper attempts to apply the discourse of spatiality to read into the family spaces in the New Generation Malayalam film narratives, holding the view that diegetic spaces in these films, directly and indirectly, attempt at foregrounding and subverting the normalisation of reproductive heteronormativity which had resulted in the gendered storytelling practices. To engage critically with the category of diegetic spatiality, two representational New Generation Malayalam films, Bangalore Days(2014) and Kumbalangi Nights(2019) are explored.
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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