3.11之后日本当代摄影的物质性重新配置

Photographies Pub Date : 2021-01-02 DOI:10.1080/17540763.2020.1848910

Marco P. Bohr

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引用次数: 0

摘要

在这篇文章中，我分析了2011年3月日本发生海啸和地震后拍摄的风景摄影作品。这篇文章的目的是揭示这场灾难已经产生和正在产生的深刻影响，以及如何在日本出现的摄影实践中观察到这一点。正如我将要说的，艺术家和摄影师颠覆图像本身物质完整性的方式可以看出最大的转变之一。

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Reconfiguring materiality in contemporary Japanese photography after 3.11

In this essay, I analyse landscape photography produced in the aftermath of the tsunami and earthquake that hit Japan in March 2011. The aim of the essay is to unpack the profound impact the disaster has hct 3ad, and is having, and how this can be observed in the type of photographic practices that since emerged in Japan. As I will argue, one of the greatest transformations can be seen in the way artists and photographers subvert the material integrity of the image itself.

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来源期刊

Photographies Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.30

自引率

0.00%

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