先锋派与佛朗哥主义的传统与合作(1940 - 1960)

Q4 Arts and Humanities

Art in Translation Pub Date : 2020-04-02 DOI:10.1080/17561310.2020.1831207

J. L. Marzo

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引用次数: 0

摘要

摘要20世纪50年代，佛朗哥将军的极权主义政府和先锋艺术界的重要组成部分在西班牙展开了激烈的合作。尽管造成这一复杂过程的原因有很多，但值得强调的是，西班牙文化中一个所谓的“反现代”神话所扮演的角色——象征着巴洛克和精神超越——被视为将艺术和政治行动捆绑和统一起来的粘合剂，以造福所有相关人员。

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Tradition and Collaboration between the Avant-Garde and Francoism (1940 to 1960)

Abstract The 1950s saw an intense collaboration process take place in Spain between the totalitarian government of General Franco and a significant part of the avant-garde artistic scene. Although there are a number of causes for this complex process, it is worth highlighting the role given to a supposed “anti-modern” myth of Spanish culture—symbolized in the Baroque and spiritual transcendence—which was seen as the glue that would bind and unify artistic and political action to benefit all those involved.

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来源期刊

Art in Translation Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

自引率

0.00%

发文量