San Giovanni Grisostomo盒子的承租人(1678)

Drammaturgia Pub Date : 2022-12-15 DOI:10.36253/dramma-14134
Ilaria Contesotto
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引用次数: 0

摘要

这项干预旨在通过研究格里马尼兄弟(名为弗拉蒂纳)的公证人的文件,分析圣乔瓦尼·格里索托莫剧院在开幕季的不同秩序中租户的空间安排,该公证人现在保存在威尼斯国家美术馆。从政治角度来看,圣乔瓦尼·格里索斯托莫的开幕式意义重大;贵族内部的紧张关系在大量家庭进入后恶化,这要归功于一大笔钱的支出。这种现象将是如此不稳定,以至于需要数年时间才能在马焦康格里奥达到新的平衡。所发现的证据使我们能够确认,剧院布局不仅反映了贵族内部的分裂,而且由于新收购与贵族历史附属机构之间的物理紧密性,从一些快速发展的家庭租赁包厢可能支撑了社会提升的意图。最后,人们发现,一些家庭、大使或重要政治人物的定位可能成为建立新联盟的借口。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gli affituali dei palchi del San Giovanni Grisostomo (1678)
This intervention aims to analyze the spatial arrangement of the tenants in the different orders of the San Giovanni Grisostomo’s theater during the opening season, through the study of the documents from the notary of the Grimani’s brothers (named Fratina), now preserved in the Archivio di Stato di Venezia. The opening years of San Giovanni Grisostomo are significant from a political point of view; tensions within the aristocracy had worsened after the entry of a substantial number of families, obtained thanks to the outlay of a large sum of money. The phenomenon will be so destabilizing that it will take years to reach a new balance in the Maggior Consiglio. The evidence found allow us to affirm that not only the theater layout reflected the divisions within the patriciate, but also that the tenancy of the boxes from some rapidly growing families may have underpinned an intention of social ascent, thanks to the physical closeness between the new acquisitions and the historical affiliates of the patriciate. Finally, it is found that the positioning of some families, ambassadors or important political personalities could become a pretext for the establishment of new alliances.
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