铃木泉逃离女性世界

IF 0.6 Q2 AREA STUDIES
Irit Weinberg
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引用次数: 0

摘要

摘要铃木泉(1949–1986)的短篇小说《女人与女人的世界》(Onna to Onna no yo no naka)发表于1976年,当时西方分离主义女权主义乌托邦的流派正在蓬勃发展。西方文学背景下的女性世界被视为20世纪70年代和80年代女权主义运动和辩论的一部分,人们试图用同样的视角来看待铃木的故事。然而,这篇文章声称,《女人和女人的世界》应该被视为女性在社会中所经历的不适的表达,而不是更好的社会秩序或乌托邦女权主义愿景的可能蓝图。我认为铃木的作品反映了当代文化氛围中对国家和抗议运动的失望,哲学家高木义本称之为“公共幻觉”。这个故事是对铃木内心深处的一个话语空间的批判——shōjo叙事(针对女孩和年轻女性的叙事)的世界,作为一个孤立的空间,它排除了与必须生活在一个男人确实存在的世界中的现实的真正接触。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Suzuki Izumi’s Escape from the World of Women
Abstract Suzuki Izumi’s (1949–1986) short story “Onna to onna no yo no naka” (A World of Women and Women) was published in 1976, at the time when the genre of separatist feminist utopia was flourishing in the West. Worlds of women in the context of Western literature have been viewed as part and parcel of the feminist movement and debates of the 1970s and 1980s and some attempts have been made to look at Suzuki’s story through the same lens. However, this essay claims that “A World of Women and Women” should be examined as an expression of discomfort experienced by women in society rather than as a possible blueprint for a better social order or utopian feminist vision. I contend that Suzuki’s work reflects the contemporary cultural atmosphere of disappointment both with the state and with protest movements, with what the philosopher Yoshimoto Takaaki called “communal illusion.” The story is a critique of a discursive space near and dear to Suzuki’s heart – the world of shōjo narratives (narratives aimed at girls and young women), constructed as an insular space that precludes real engagement with the reality of having to live in a world in which men do exist.
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来源期刊
Japan Forum
Japan Forum AREA STUDIES-
CiteScore
1.50
自引率
16.70%
发文量
29
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