建筑意义:domitian建筑、视觉文化和文学来源中的皇权建筑

J. Hulls
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引用次数: 0

摘要

摘要:多米蒂安的建筑遭到了很多诋毁,对他的建筑细致入微的解读也被关闭了。他的诅咒记忆非常完整。建筑在理论上是一个开放的空间,在这里意义被构建、解构和重建。帝国建筑存在于一个概念连续体上,其结构较为简陋。多米西亚建筑是通过尚武和斯塔提乌斯的诗歌,通过普林尼、苏埃托尼乌斯和迪奥等精英作家,以及多米西亚自己的铸币和铭文来解读的。参议员幸存者通过诋毁多米西安的建筑来证明他们的持续存在,但多米西安自己也成为了一种作家,通过他在建筑上和建筑中的言论来构建自己的存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Building Meaning: Constructions of Imperial Power in Domitianic Architecture, Visual Culture, and Literary Sources
Abstract:Domitian's architecture was much denigrated, and nuanced readings of his buildings were closed off. His damnatio memoriae was remarkably complete. Buildings act as theoretically open spaces where meaning is constructed, deconstructed, and reconstructed. Imperial buildings exist on a conceptual continuum with humbler structures. Domitianic architecture is read through the poetry of Martial and Statius, through elite writers such as Pliny, Suetonius, and Dio, and through Domitian's own coinage and inscriptions. Senatorial survivors justify their continued existence through denigration of Domitian's buildings, but Domitian himself becomes a kind of writer, constructing his own existence through his utterances on and in architecture.
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