{"title":"安帕罗·达维拉:契约作为险恶的避难所","authors":"Cecilia Eudave","doi":"10.5565/REV/BRUMAL.771","DOIUrl":null,"url":null,"abstract":"In the present reflection, some literary devices in the works of Amparo Dávila will be tackled here, from the perspective of research and creativity. First, her poetic attitude: the way she builds her universes by using non-mimetic genres, her relationship with language and its creative premises. Then, the way she sketches her characters and her disturbing atmospheres through a subtle relationship with time and space, being those the characteristic imprint of her work. Finally, we will deal with the use of monstrosity and the sinister in her stories as a way to depict the social context she lives in, pinpoint-","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"11-19"},"PeriodicalIF":0.2000,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Amparo Dávila: la escritura como refugio ante lo siniestro\",\"authors\":\"Cecilia Eudave\",\"doi\":\"10.5565/REV/BRUMAL.771\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the present reflection, some literary devices in the works of Amparo Dávila will be tackled here, from the perspective of research and creativity. First, her poetic attitude: the way she builds her universes by using non-mimetic genres, her relationship with language and its creative premises. Then, the way she sketches her characters and her disturbing atmospheres through a subtle relationship with time and space, being those the characteristic imprint of her work. Finally, we will deal with the use of monstrosity and the sinister in her stories as a way to depict the social context she lives in, pinpoint-\",\"PeriodicalId\":40661,\"journal\":{\"name\":\"Brumal-Research Journal on the Fantastic\",\"volume\":\"9 1\",\"pages\":\"11-19\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-06-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Brumal-Research Journal on the Fantastic\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5565/REV/BRUMAL.771\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Brumal-Research Journal on the Fantastic","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5565/REV/BRUMAL.771","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Amparo Dávila: la escritura como refugio ante lo siniestro
In the present reflection, some literary devices in the works of Amparo Dávila will be tackled here, from the perspective of research and creativity. First, her poetic attitude: the way she builds her universes by using non-mimetic genres, her relationship with language and its creative premises. Then, the way she sketches her characters and her disturbing atmospheres through a subtle relationship with time and space, being those the characteristic imprint of her work. Finally, we will deal with the use of monstrosity and the sinister in her stories as a way to depict the social context she lives in, pinpoint-
期刊介绍:
Brumal. Research Journal on the Fantastic is presented as an interdisciplinary and multilingual publication aimed at researchers and specialists. The fantastic is understood here as an always problematic confrontation between the real and the impossible in a textual world imitating ours. Therefore, other non-mimetic genres like science fiction or fantasy, which do not adhere to this definition, are excluded in Brumal. Linked to the Grupo de Estudios sobre lo Fantástico (GEF, Research Group on the Fantastic) from the Universidad Autónoma de Barcelona (www.lofantastico.com), Brumal welcomes works on the fantastic dealing with its different artistic manifestations (narrative, theatre, cinema, comic, painting, photography and video-games), in any language and from any country during the 19th, 20th and 21st centuries. Texts can be sent in Spanish, Catalan, Galician, English, French, Portuguese or Italian. Brumal is structured in three differentiated sections (Monograph, Miscellaneous and Reviews) and will be published every six months (december and june).