{"title":"菲利普·奥古斯特·亨内昆的《西德尼·史密斯爵士在圣殿监狱的肖像》","authors":"Katherine Gazzard","doi":"10.1086/718041","DOIUrl":null,"url":null,"abstract":"Museum of Art, a naval officer sits crosslegged at a desk and stares through the barred window of a prison cell, an open book in his hand (fig. 1). The drawing is pasted onto a blue mount and surrounded with inscriptions in English and French. Positioned immediately below the image, the French inscription comprises the artist’s signature: “fait au temple par hennequin ce 28 brumaire an 5 de la R.f. une et indivisible” [“made in the Temple by Hennequin on 28 brumaire year 5 of the French Republic, one and indivisible”]. Expressed in the French Revolutionary calendar, the date here equates to November 18, 1796. The signature is written in the squat handwriting of the artist Philippe Auguste Hennequin, who was at the time a political prisoner in the Tower of Philippe Auguste Hennequin’s Portrait Drawing of Sir Sidney Smith in the Temple Prison","PeriodicalId":42073,"journal":{"name":"METROPOLITAN MUSEUM JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Philippe Auguste Hennequin’s Portrait Drawing of Sir Sidney Smith in the Temple Prison\",\"authors\":\"Katherine Gazzard\",\"doi\":\"10.1086/718041\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Museum of Art, a naval officer sits crosslegged at a desk and stares through the barred window of a prison cell, an open book in his hand (fig. 1). The drawing is pasted onto a blue mount and surrounded with inscriptions in English and French. Positioned immediately below the image, the French inscription comprises the artist’s signature: “fait au temple par hennequin ce 28 brumaire an 5 de la R.f. une et indivisible” [“made in the Temple by Hennequin on 28 brumaire year 5 of the French Republic, one and indivisible”]. Expressed in the French Revolutionary calendar, the date here equates to November 18, 1796. The signature is written in the squat handwriting of the artist Philippe Auguste Hennequin, who was at the time a political prisoner in the Tower of Philippe Auguste Hennequin’s Portrait Drawing of Sir Sidney Smith in the Temple Prison\",\"PeriodicalId\":42073,\"journal\":{\"name\":\"METROPOLITAN MUSEUM JOURNAL\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"METROPOLITAN MUSEUM JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/718041\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"METROPOLITAN MUSEUM JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/718041","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
在艺术博物馆,一名海军军官盘腿坐在桌子旁,透过牢房的栅栏窗凝视着,手里拿着一本打开的书(图1)。这幅画被粘贴在一个蓝色的底座上,周围有英文和法文的铭文。位于图像正下方的法国铭文包括艺术家的签名:“fait au temple par hennequin ce 28 brumaire an 5 de la R.f.une et incomparable”[“hennequin于法兰西共和国5年5月28日在寺庙中制作,一体且不可分割”]。用法国革命日历表示,这里的日期相当于1796年11月18日。签名是由艺术家菲利普·奥古斯特·亨奈肯(Philippe Auguste Hennequin)用矮胖的笔迹写的,他当时是坦普尔监狱中菲利普·奥古斯特·亨奈肯的西德尼·史密斯爵士肖像画塔中的一名政治犯
Philippe Auguste Hennequin’s Portrait Drawing of Sir Sidney Smith in the Temple Prison
Museum of Art, a naval officer sits crosslegged at a desk and stares through the barred window of a prison cell, an open book in his hand (fig. 1). The drawing is pasted onto a blue mount and surrounded with inscriptions in English and French. Positioned immediately below the image, the French inscription comprises the artist’s signature: “fait au temple par hennequin ce 28 brumaire an 5 de la R.f. une et indivisible” [“made in the Temple by Hennequin on 28 brumaire year 5 of the French Republic, one and indivisible”]. Expressed in the French Revolutionary calendar, the date here equates to November 18, 1796. The signature is written in the squat handwriting of the artist Philippe Auguste Hennequin, who was at the time a political prisoner in the Tower of Philippe Auguste Hennequin’s Portrait Drawing of Sir Sidney Smith in the Temple Prison