{"title":"邮票作为南亚公共历史遗址的干预","authors":"Manu Sharma","doi":"10.1080/14736489.2021.1993708","DOIUrl":null,"url":null,"abstract":"ABSTRACT Postage stamps are a significant visual text of an issuing state. In 1947, British India was divided into independent states of India and Pakistan. The successive new regimes in both countries got the freedom to design, print, and circulate the official visual iconography through postage stamps as a symbol of sovereignty for its citizens and the world community. This article explores how India and Pakistan visualized the narrative of national identity and discourse on development through postage stamps in the first two decades of their independence. The article does not intend to retell the narrative of the postcolonial nation-building process in the subcontinent. Instead, the objective is to introduce postage stamps as a primary visual resource for exploring the contours of public history of India and Pakistan by arguing that stamps retain its importance as excellent visual archives for postcolonial scholarly analysis in the age of new media.","PeriodicalId":56338,"journal":{"name":"India Review","volume":"20 1","pages":"540 - 564"},"PeriodicalIF":0.5000,"publicationDate":"2021-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Postage stamps as sites of public history in South Asia: an intervention\",\"authors\":\"Manu Sharma\",\"doi\":\"10.1080/14736489.2021.1993708\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Postage stamps are a significant visual text of an issuing state. In 1947, British India was divided into independent states of India and Pakistan. The successive new regimes in both countries got the freedom to design, print, and circulate the official visual iconography through postage stamps as a symbol of sovereignty for its citizens and the world community. This article explores how India and Pakistan visualized the narrative of national identity and discourse on development through postage stamps in the first two decades of their independence. The article does not intend to retell the narrative of the postcolonial nation-building process in the subcontinent. Instead, the objective is to introduce postage stamps as a primary visual resource for exploring the contours of public history of India and Pakistan by arguing that stamps retain its importance as excellent visual archives for postcolonial scholarly analysis in the age of new media.\",\"PeriodicalId\":56338,\"journal\":{\"name\":\"India Review\",\"volume\":\"20 1\",\"pages\":\"540 - 564\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-10-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"India Review\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/14736489.2021.1993708\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"India Review","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/14736489.2021.1993708","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
Postage stamps as sites of public history in South Asia: an intervention
ABSTRACT Postage stamps are a significant visual text of an issuing state. In 1947, British India was divided into independent states of India and Pakistan. The successive new regimes in both countries got the freedom to design, print, and circulate the official visual iconography through postage stamps as a symbol of sovereignty for its citizens and the world community. This article explores how India and Pakistan visualized the narrative of national identity and discourse on development through postage stamps in the first two decades of their independence. The article does not intend to retell the narrative of the postcolonial nation-building process in the subcontinent. Instead, the objective is to introduce postage stamps as a primary visual resource for exploring the contours of public history of India and Pakistan by arguing that stamps retain its importance as excellent visual archives for postcolonial scholarly analysis in the age of new media.