全球搏击文化中Esh的登记

IF 1.8 2区 文学 Q1 ANTHROPOLOGY
Jaspal Naveel Singh, Cameron Martin Campbell
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引用次数: 0

摘要

Esh是全球说唱文化中的一个标志性词汇和声音。它可能源于对小军鼓声音的模仿,也可能源于法国多元文化的青年俚语。很清楚的是,esh现在被广泛认可,并被用作一个词汇化的声音,以幽默的方式表示文化认同的一致性,例如采取肯定评价的立场,问候和识别其他打击乐者。在这篇文章中,我们展示了搏击者如何表演、叙述和调解网络的交互功能和文化索引性。我们认为,这种注册是分裂的,也就是说,它被索引地固定在人类和机器之间的模仿形状转换中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Enregisterment of Esh in Global Beatboxing Culture

Esh is an emblematic word and sound in global beatboxing culture. It may have developed from the vocal mimicry of a sound of a snare drum or it may have derived from multicultural youth slang in France. What is clear is that esh is now widely recognized and used as a lexicalized sound to humorously index cultural identity alignments, for example taking a stance of affirmative evaluation, greeting and identifying other beatboxers. We show in this article how beatboxers perform, narrativize and mediatize the interactive functions and cultural indexicalities of esh. This enregisterment, we argue, is schizophonic, i.e. esh is indexically anchored in a mimetic shapeshifting between humans and machines.

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来源期刊
CiteScore
2.40
自引率
25.00%
发文量
35
期刊介绍: The Journal of Linguistic Anthropology explores the many ways in which language shapes social life. Published with the journal"s pages are articles on the anthropological study of language, including analysis of discourse, language in society, language and cognition, and language acquisition of socialization. The Journal of Linguistic Anthropology is published semiannually.
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