声波转向

IF 0.2 4区 文学 0 LITERARY THEORY & CRITICISM
T. McEnaney
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引用次数: 4

摘要

摘要:本文从艾米丽·汤普森(Emily Thompson)的《现代性的声景》(2002)和乔纳森·斯特恩(Jonathan Sterne)的《可听的过去》(2003)的出版开始,将声音转向作为一套连贯的方法论方法,涵盖了多个学科,并为索绪尔法令提供了一种替代方案,以忽视物质声音的符号学性质。这些文本和随后发表的文本都强调声音的细节,将其作为一个孤立的研究对象,但也强调声音是一个超越“音乐”或“言语”的更普遍的选择原则;重新定位,使听力变性,并将听力实践重新视为历史上的偶然性、物质性和社会技术;需要一种媒介考古学,将技术和技术联系起来,而不陷入“影响历史”或“媒介决定论”。虽然声音转向可能很广泛,但本文所采用的辩论方法反对不加批判的情感“振动本体论”和对声音的后结构主义理解作为补充。相反,这篇文章强调了学术的重要性,将黑人、拉丁美洲和残疾研究定位为研究听觉技术如何将材料和象征结合在一起的核心,以了解历史文化如何通过将声音与语言分离来构建本体论,从而创造和维持人类与非人类之间的权力等级制度,有能力的人和残疾人,有文字的人和听众。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Sonic Turn
Abstract:This article approaches the sonic turn as a coherent set of methodological approaches across a variety of disciplines that begin with the publication of Emily Thompson’s The Soundscape of Modernity (2002) and Jonathan Sterne’s The Audible Past (2003), and provide an alternative to the Saussurean edict to ignore the semiotic qualities of material sound. These texts and those published in their wake proceed with an emphasis on the detail of sound as an isolated object of study, but also sound as a more general principle of selection beyond “music” or “speech”; a reorientation to denaturalize hearing and reconceive listening practices as historically contingent, material, and social techniques; the need for a media archaeology that links technology and technique without falling into “impact histories” or “media determinism.” While the sonic turn can be capacious, the polemical approach taken in this essay opposes an uncritical affective “vibrational ontology” and a poststructuralist understanding of sound as supplement. Instead, the essay highlights the importance of scholarship that situates Black, Latin American, and disability studies as central to research into how audile techniques bring together the material and the symbolic to hear how historical cultures have constructed ontologies by separating sound from language in order to create and sustain hierarchies of power between the human and the nonhuman, the abled and the disabled, the lettered and the listeners.
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来源期刊
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM LITERARY THEORY & CRITICISM-
CiteScore
0.80
自引率
0.00%
发文量
0
期刊介绍: For over thirty years, diacritics has been an exceptional and influential forum for scholars writing on the problems of literary criticism. Each issue features articles in which contributors compare and analyze books on particular theoretical works and develop their own positions on the theses, methods, and theoretical implications of those works.
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