{"title":"保罗·劳伦斯·邓巴和自然主义/方言诗歌的分裂","authors":"Patricia Chaudron","doi":"10.7560/tsll64303","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Paul Laurence Dunbar’s dialect poems are often read as the negative, stereotype-laden other of his naturalist prose. This article, however, argues that Dunbar’s poetry complements his prose and provides a more holistic picture of Dunbar’s anti-racist naturalism. Whereas Dunbar’s prose diversifies African American stories, his dialect poetry emphasizes the illegibility of Blackness. The poetry’s focus on the process of meaning-making deconstructs stereotypes as expansive sites of paradox.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Paul Laurence Dunbar and the Naturalism/Dialect Poetry Divide\",\"authors\":\"Patricia Chaudron\",\"doi\":\"10.7560/tsll64303\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:Paul Laurence Dunbar’s dialect poems are often read as the negative, stereotype-laden other of his naturalist prose. This article, however, argues that Dunbar’s poetry complements his prose and provides a more holistic picture of Dunbar’s anti-racist naturalism. Whereas Dunbar’s prose diversifies African American stories, his dialect poetry emphasizes the illegibility of Blackness. The poetry’s focus on the process of meaning-making deconstructs stereotypes as expansive sites of paradox.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll64303\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll64303","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Paul Laurence Dunbar and the Naturalism/Dialect Poetry Divide
ABSTRACT:Paul Laurence Dunbar’s dialect poems are often read as the negative, stereotype-laden other of his naturalist prose. This article, however, argues that Dunbar’s poetry complements his prose and provides a more holistic picture of Dunbar’s anti-racist naturalism. Whereas Dunbar’s prose diversifies African American stories, his dialect poetry emphasizes the illegibility of Blackness. The poetry’s focus on the process of meaning-making deconstructs stereotypes as expansive sites of paradox.