他不爱我:Tanja Ostojić作品中的婚姻与移民

IF 0.1 0 ARCHITECTURE
Thresholds Pub Date : 2020-04-01 DOI:10.1162/thld_a_00710
Ivana Dizdar
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引用次数: 0

摘要

《民族与移民研究》36,第10期(2010年)。婚姻见证人Jelica Radovanović和Dejan Andjelković写道,在他们称之为第二次表演的婚姻中,在场的其他人只有登记员、法庭翻译和一名摄影师。“与(这对夫妇的)第一次见面相反,”他们写道,“这场表演没有诗意化,仅限于其行政意义。”他们补充道,“某些混乱和不合时宜的笑声对登记员来说是显而易见的,他没有透露活动的艺术结构。”。“(摘自Radovanović和Andjelković的短文,收录在Ostojić手工制作的《婚礼书》中。)6在前南斯拉夫共和国中,只有斯洛文尼亚和克罗地亚分别于2004年和2013年加入了欧盟。在2000年Ostojić项目开始时,塞尔维亚还不是欧盟候选国。十多年后的2012年,塞尔维亚被授予欧盟候选国地位,至今仍保持着这一地位。见欧盟委员会,“欧洲睦邻政策和扩大谈判”,欧盟委员会,2016年7月12日,2019年2月10日查阅,https://ec.europa.eu/邻里扩大/国家/详细的国家信息/serbia_en。塞尔维亚的加入取决于其是否有能力表现出“对欧洲价值观的坚定承诺”和证明该国符合欧盟原则的“过往记录”。国家必须调整,伊万娜·迪兹达尔他不爱我:婚姻和移民在坦贾·奥斯托吉的工作
本文章由计算机程序翻译,如有差异,请以英文原文为准。
He Loves Me Not: Marriage and Migration in the Work of Tanja Ostojić
of Ethnic and Migration Studies 36, no. 10 (2010). Marriage witnesses Jelica Radovanović and Dejan Andjelković wrote that at the marriage itself, what they called a second performance, the only other people present were the registrar, the court interpreter, and a photographer. “Contrary to [the couple’s] first meeting,” they write, “this performance was not poeticised, being restricted to its administrative significance only.” They add that “certain elements of confusion and out-of-place laughter were evident to the registrar—who was not let in on the artistic structure of the event.” (Taken from a short text by Radovanović and Andjelković, included in Ostojić’s handmade The Wedding Book.) 6 Among the ex-Yugoslav republics, only Slovenia and Croatia have since joined the European Union, respectively in 2004 and 2013. At the start of Ostojić’s project in 2000, Serbia was not yet an EU candidate. Over a decade later, in 2012, Serbia was granted EU candidate status, which it still holds today. See European Commission, “European Neighbourhood Policy and Enlargement Negotiations,” European Commission, July 12, 2016, accessed February 10, 2019, https://ec.europa.eu/ neighbourhood-enlargement/ countries/detailed-country-information/serbia_en. Serbia’s accession depends on its ability to display a “firm commitment to European values” and a “track record” that proves the nation aligns with the European Union’s principles. The country must adjust, Ivana Dizdar HE LOVES ME NOT: MARRIAGE AND MIGRATION IN THE WORK OF TANJA OSTOJIĆ
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Thresholds
Thresholds Multiple-
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