云美学:认识论的挑战、自下而上的美学与历史问题

Christine Blaettler
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引用次数: 1

摘要

当人们对理性主义的清晰明晰的知识范式(如雷诺·笛卡尔所阐述的)提出异议时,人们常常求助于云。在这种情况下,云服务于建立一个反古典导向,非等级和非决定性,混沌理论通知反范式。在这种趋势的影响下,本文建议将云作为一种认识论的挑战来研究,能够揭示科学、哲学和艺术中特定的紧张关系。这些领域讨论感知和表现的问题,因此美学问题,在此基础上,这一贡献制定了“自下而上的美学”。这种美学不是从美学理论出发,也不是建立在模糊概念的基础上;相反,它从对基于感知的经验,特别是历史文物的反思开始,并试图将这些引向理论工作。在这篇文章中,这是通过考察云在齐格弗里德·克拉考尔对历史的哲学反思中的意义来完成的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cloud Aesthetics: An Epistemological Challenge, Aesthetics from Below, and the Question of History
Clouds are often appealed to when an objection is raised to the rationalist knowledge paradigm of the clear and distinct, as formulated by René Descartes. In such cases, clouds serve to establish an anti-classically oriented, non-hierarchical and non-determinative, chaostheoretically informed counter-paradigm. Itself informed by this tendency, this essay proposes to examine clouds as an epistemological challenge, capable of exposing specific tensions in science, philosophy, and art alike. These fields negotiate questions of perception and representation, hence aesthetic problems, on the basis of which this contribution formulates an “aesthetics from below.” Such an aesthetics does not proceed from aesthetic theories, nor is it based on fuzzy concepts; rather, it begins with reflection on perception-based experience and specifically historical artifacts and seeks to lead these toward the work of theory. In this essay, this is accomplished through an examination of the significance of clouds in Siegfried Kracauer’s philosophical reflections on history.
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