人类世的艺术写作与寓言

IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
OCTOBER Pub Date : 2021-04-10 DOI:10.1162/OCTO_A_00417
Liz Linden, Susan Ballard
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引用次数: 0

摘要

这篇文章追溯了人类世中一个丰富而密集的艺术写作领域的出现。我们问:如果人类世就在我们身边,那么它在艺术写作中的位置呢?我们确定了人类世艺术写作的出现:这种写作不是关于人类世本身的艺术写作,而是从人类世本身的运作和结果中获得线索的艺术写作,包括它对边界(学科等)的公然无视,以及它的代理。我们发现这样的策略已经在发挥作用,特别是在Hito Steyerl, Martha Rosler和Chris Kraus等艺术家的作品中,以及通过多作家合作或拼贴的复调作品中。我们绘制了艺术写作的层次(它的过去和现在的描绘,它的一些基点),以确定抵抗当代加速的地点,也就是说,减速和深思是可能的地方。人类生成的艺术写作声称自己有这样的模式。虽然对科学家来说,人类世的标志是金钉的争论,但在艺术写作中,这些代理信号远远超出了将“自然”和环境作为主题或话题的范畴,而是将人类世本身作为一种寓言模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art Writing and Allegory in the Anthropocene
This essay traces the emergence of a rich and densely layered field of art writing within the Anthropocene. We ask: If the Anthropocene is all around us, where is it in art writing? We identify the emergence of Anthropocenic art writing: writing that is not art writing about the Anthropocene per se but rather art writing that takes its cue from the operations and outcomes of the Anthropocene itself, including its flagrant disregard for boundaries (disciplinary and otherwise), and its agency. We find such strategies already at work, particularly, in writing by artists such as Hito Steyerl, Martha Rosler, and Chris Kraus, as well as in writing that is polyphonic either through the collaboration of multiple writers or through collage. We map art writing's strata (its past and present delineations, some of its cardinal points) in order to identify sites of resistance to the accelerations of the contemporary era, which is to say places where deceleration and deliberation may be possible. Anthropocenic art writing claims such modes as its own. While for scientists the Anthropocene has been marked by the contestation of golden spikes, in art writing these proxy signals go far beyond employing “nature” and the environment as a theme or topic, taking the Anthropocene as an allegorical mode itself.
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来源期刊
OCTOBER
OCTOBER HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
33.30%
发文量
0
期刊介绍: At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.
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