{"title":"媒介表达的不同视界:以动画为例","authors":"Ko Kazu","doi":"10.18800/estudiosdefilosofia.202201.008","DOIUrl":null,"url":null,"abstract":"This paper examines the normative constraints that mass society places on movies and artistic animation. Benjamin’s ideas on audience control in relation to technical media products are used to highlight the specific limitation of animations. Because they are entirely created by the artist (without employing preexistent elements, such as in movies), they can more easily simplify the scheme of representation-intention, and be bearers of politically or morally acceptable messages.","PeriodicalId":32344,"journal":{"name":"Estudios de Filosofia","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Different Horizons of Expression in Media: The Case of Animations\",\"authors\":\"Ko Kazu\",\"doi\":\"10.18800/estudiosdefilosofia.202201.008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper examines the normative constraints that mass society places on movies and artistic animation. Benjamin’s ideas on audience control in relation to technical media products are used to highlight the specific limitation of animations. Because they are entirely created by the artist (without employing preexistent elements, such as in movies), they can more easily simplify the scheme of representation-intention, and be bearers of politically or morally acceptable messages.\",\"PeriodicalId\":32344,\"journal\":{\"name\":\"Estudios de Filosofia\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Estudios de Filosofia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18800/estudiosdefilosofia.202201.008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Estudios de Filosofia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18800/estudiosdefilosofia.202201.008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Different Horizons of Expression in Media: The Case of Animations
This paper examines the normative constraints that mass society places on movies and artistic animation. Benjamin’s ideas on audience control in relation to technical media products are used to highlight the specific limitation of animations. Because they are entirely created by the artist (without employing preexistent elements, such as in movies), they can more easily simplify the scheme of representation-intention, and be bearers of politically or morally acceptable messages.
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