{"title":"渴望野兽般的男子气概:质疑日本同性恋粉丝对“硬汉”K-pop偶像的渴望","authors":"Thomas Baudinette","doi":"10.1080/18902138.2023.2179284","DOIUrl":null,"url":null,"abstract":"ABSTRACT Previous research on Japanese K-pop consumption has predominantly focused on the experiences of middle-aged female fans who idealize K-pop idols’ supposed ‘soft’ masculinity. Drawing upon ethnographic fieldwork, this article explores how Japanese gay men consume and understand K-pop. I destabilize assumptions common to the literature on Japanese fandom for K-pop concerning male idols’ soft masculinity by critically investigating how gay Japanese K-pop fans position Korean masculinity as ‘beastly.’ I particularly investigate how gay fans situate Korean masculinity within the socio-semiotic system of ‘Typing’ that structures Japan’s gay culture. I demonstrate that, counter to common-sense assumptions of K-Pop idols’ softness which circulate in Japan, Japanese gay fans instead focus on their ‘hardness’ to strategically differentiate their desires for male K-Pop idols from those of heterosexual female consumers. In yearning for ‘beastly’ Korean masculinity, Japanese gay K-pop fans thus explicitly reject the valorization of masculine cuteness found throughout Japanese mainstream media.","PeriodicalId":37885,"journal":{"name":"NORMA","volume":"18 1","pages":"224 - 239"},"PeriodicalIF":2.1000,"publicationDate":"2023-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Yearning for beastly masculinity: interrogating Japanese gay fans’ desires for ‘hard’ male K-pop idols\",\"authors\":\"Thomas Baudinette\",\"doi\":\"10.1080/18902138.2023.2179284\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Previous research on Japanese K-pop consumption has predominantly focused on the experiences of middle-aged female fans who idealize K-pop idols’ supposed ‘soft’ masculinity. Drawing upon ethnographic fieldwork, this article explores how Japanese gay men consume and understand K-pop. I destabilize assumptions common to the literature on Japanese fandom for K-pop concerning male idols’ soft masculinity by critically investigating how gay Japanese K-pop fans position Korean masculinity as ‘beastly.’ I particularly investigate how gay fans situate Korean masculinity within the socio-semiotic system of ‘Typing’ that structures Japan’s gay culture. I demonstrate that, counter to common-sense assumptions of K-Pop idols’ softness which circulate in Japan, Japanese gay fans instead focus on their ‘hardness’ to strategically differentiate their desires for male K-Pop idols from those of heterosexual female consumers. In yearning for ‘beastly’ Korean masculinity, Japanese gay K-pop fans thus explicitly reject the valorization of masculine cuteness found throughout Japanese mainstream media.\",\"PeriodicalId\":37885,\"journal\":{\"name\":\"NORMA\",\"volume\":\"18 1\",\"pages\":\"224 - 239\"},\"PeriodicalIF\":2.1000,\"publicationDate\":\"2023-02-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NORMA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/18902138.2023.2179284\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"SOCIOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NORMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/18902138.2023.2179284","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"SOCIOLOGY","Score":null,"Total":0}
Yearning for beastly masculinity: interrogating Japanese gay fans’ desires for ‘hard’ male K-pop idols
ABSTRACT Previous research on Japanese K-pop consumption has predominantly focused on the experiences of middle-aged female fans who idealize K-pop idols’ supposed ‘soft’ masculinity. Drawing upon ethnographic fieldwork, this article explores how Japanese gay men consume and understand K-pop. I destabilize assumptions common to the literature on Japanese fandom for K-pop concerning male idols’ soft masculinity by critically investigating how gay Japanese K-pop fans position Korean masculinity as ‘beastly.’ I particularly investigate how gay fans situate Korean masculinity within the socio-semiotic system of ‘Typing’ that structures Japan’s gay culture. I demonstrate that, counter to common-sense assumptions of K-Pop idols’ softness which circulate in Japan, Japanese gay fans instead focus on their ‘hardness’ to strategically differentiate their desires for male K-Pop idols from those of heterosexual female consumers. In yearning for ‘beastly’ Korean masculinity, Japanese gay K-pop fans thus explicitly reject the valorization of masculine cuteness found throughout Japanese mainstream media.
期刊介绍:
NORMA is an international journal for high quality research concerning masculinity in its many forms. This is an interdisciplinary journal concerning questions about the body, about social and textual practices, and about men and masculinities in social structures. We aim to advance theory and methods in this field. We hope to present new themes for critical studies of men and masculinities, and develop new approaches to ''intersections'' with race, sexuality, class and coloniality. We are eager to have conversations about the role of men and boys, and the place of masculinities, in achieving gender equality and social equality. The journal was begun in the Nordic region; we now strongly invite scholarly work from all parts of the world, as well as research about transnational relations and spaces. All submitted manuscripts are subject to initial appraisal by the Editors, and, if found suitable for further consideration, to peer review by independent, anonymous expert referees. All peer review is double blind and submission is online via Editorial Manager.