作为三宝朗市文化艺术身份的Thruthuk民族志-印度尼西亚

Ayyi Imana Auliaamafaza, Idah Sri Wahyuni, Elang Ade Erlangga, Amirudin Amirudin
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引用次数: 0

摘要

本研究以三宝垄的传统艺术画眉为研究对象。画眉是一种艺术,它起源于古代三宝垄人的闲聊习惯,然后产生了用Kenthongan巡逻设备表演的想法。本研究旨在描述三宝垄人的文化价值观、符号体系、表现模式,进而研究其与三宝垄人物性格的相关性。本研究运用了克利福德·格尔茨的符号解释理论,即文化是一个价值体系、知识体系和符号体系。这类研究是使用人种学方法并得到定量数据支持的定性研究。所使用的数据是通过对艺术家、文化观察员和政府的采访获得的,以及以文章形式讨论爪哇文化、Semarangan艺术和艺术作为身份的数据。数据收集方法采用访谈、讨论小组论坛、观察、文献等形式,并以问卷形式提供定性数据。分析是在有关社区价值体系和模式行动体系的社会文化弱点的背景下,通过解释研究数据(观察、访谈和二次数据)进行的。所使用的报告形式是描述性分析报告。研究的结果是:反映沿海文化的文化价值观;爪哇沿海文化的符号系统;truthuk的表演模式包括两种形式;简单的形式和传统的形式。以及与三宝垄人文化的相关性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ethnography of Thruthuk as Identity of Cultural Arts in Semarang City – Indonesia
This research investigated Thrutuk, a traditional art from Semarang. Thrutuk is an art that started from the habits of the ancient Semarang people which is small-talk then came up with the idea of doing theatrics with patrol equipment which is Kenthongan. This research aims to describe cultural values, symbol system, thrutuk performance pattern, then studied about relevance to the character of Semarang’s people. This research used Clifford Geertz’s symbolic interpretative theory that culture is a value system, knowledge system, and symbol system. This type of research is qualitative research using an ethnographic approach and supported by quantitative data. The data used were obtained through interviews with artists, cultural observers, the government, as well as data in the form of articles discussing Javanese culture, Semarangan art, and art as identity. Data collection methods in the form of interviews, discussion group forums, observations, literature, and supported by qualitative data in the form of questionnaires. The analysis was conducted by interpreting data of researches (observations, interviews, and secondary data) in the context of socio-cultural weaknesses concerning the value systems and patterned action systems of the community concerned. The report form used is a descriptive analysis report. The results of the research are: cultural values reflecting coastal culture; symbol system that characterizes coastal Javanese culture; truthuk performance pattern consists of two forms; simple form and traditional form. As well as relevance to the culture of the Semarang people.
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