Netflix &大数据:一家娱乐公司的战略矛盾心理

IF 2.4 2区 文学 Q1 COMMUNICATION
Karin van Es
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引用次数: 2

摘要

Netflix积极推动所谓的大数据神话,宣传他们的推荐系统和数据驱动的制作是前沿的、无所不知的。然而,如今,该公司越来越认识到人类专业知识和创造力的作用。在这篇论文中,我探讨了Netflix从科技公司到娱乐公司的战略重新定位,使其能够被理解为“数据”和“直觉”。这种转变的动机是公众对数据和算法的批评越来越多,以及该公司进军原创节目。更具体地说,我研究了Netflix如何在面向公众的材料中讨论大数据,以及这些想法是如何在公共话语中被采纳的。这些来源揭示了一种假设,即数据与人类专业知识和创造力之间存在相反的特征。作为一个更大的批评,我评论了这些数据的局限性,以及人们对Netflix和整个技术的反对。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Netflix & Big Data: The Strategic Ambivalence of an Entertainment Company
Netflix actively fueled what is known as the myth of big data, promoting their recommender system and data-driven production as cutting-edge, all-seeing, and all-knowing. Today, however, the company is increasingly acknowledging the role of human expertise and creativity. In this paper I explore the strategic repositioning of Netflix from technology company to entertainment company, enabling them to be understood as both “data” and “gut.” This transformation is discussed as motivated by the increasing public criticism of data and algorithms and the company’s foray into original programing. More specifically, I examine how Netflix, in public-facing materials, discusses big data and how those ideas are taken up in public discourse. These sources disclose an assumption of opposing characteristics between data and human expertise and creativity. As a point of a larger critique, I comment on the limitations of this data and human opposition for thinking about Netflix and technologies at large.
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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