痛苦的诗学

IF 0.4 0 LITERATURE
Gail Holst-Warhaft
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引用次数: 0

摘要

现代希腊诗歌受到了希腊乡村仍然存在的哀歌传统和现代希腊历史上的悲剧事件的影响。与挽歌传统相反,哀歌及其女性从业者将痛苦赋予了积极的价值。1930年代的男性诗人在诗歌中使用了民间哀歌的意象,而20世纪下半叶的女性诗人则像乡村诗人一样直接向死者致敬。1922年的小亚细亚灾难主导了20世纪的现代希腊文学,并借鉴了另一种传统诗歌形式,“对失落城市的哀歌”,词曲作者在歌词中哀悼当代希腊的政治和经济悲剧,在表达痛苦时,这些歌词似乎更接近哀歌的传统,而不是挽歌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Poetics of Pain
Modern Greek poetry has been influenced by a tradition of lament that is still practiced in rural Greece, and by the tragic events of modern Greek history. In contrast to the elegiac tradition, laments and their women practitioners ascribe a positive value to pain. Male poets of the generation of 1930 made use of the imagery of folk lament in their poetry, and women poets of the second half of the 20th century addressed the dead directly as their village counterparts still do. The Asia Minor catastrophe of 1922 dominated 20th-century modern Greek literature and drew on another traditional poetic form, the “lament for lost cities.” More recently, songwriters have mourned the political and economic tragedies of contemporary Greece in lyrics that seem much closer, in their expression of pain, to the tradition of lament than to elegy.
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来源期刊
Journal of World Literature
Journal of World Literature Arts and Humanities-Literature and Literary Theory
CiteScore
1.90
自引率
50.00%
发文量
23
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