{"title":"科普特圣歌和Maqām:礼仪传统的模态遗产","authors":"Nicholas Ragheb","doi":"10.1353/amu.2021.0007","DOIUrl":null,"url":null,"abstract":"Abstract:In this article, I discuss the emergence of modal analysis of Coptic hymns by Coptic Egyptian scholars beginning in the 1970s. I then provide a brief history of maqām theory and discuss the subtopics of intonation and tetrachordal analysis as they apply to Coptic chant. Finally, I present a modal analysis of the festal version of the Coptic laḥn \"Epouro\" by Coptic Egyptian scholar Nabīl Kamāl Buṭrus along with my own annotation and critique. I argue that this historical review and musical analysis demonstrate a degree of potential affinity between at least some Coptic hymnody and this regional musical tradition.","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2021.0007","citationCount":"0","resultStr":"{\"title\":\"Coptic Chant and Maqām: The Modal Heritage of a Liturgical Tradition\",\"authors\":\"Nicholas Ragheb\",\"doi\":\"10.1353/amu.2021.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In this article, I discuss the emergence of modal analysis of Coptic hymns by Coptic Egyptian scholars beginning in the 1970s. I then provide a brief history of maqām theory and discuss the subtopics of intonation and tetrachordal analysis as they apply to Coptic chant. Finally, I present a modal analysis of the festal version of the Coptic laḥn \\\"Epouro\\\" by Coptic Egyptian scholar Nabīl Kamāl Buṭrus along with my own annotation and critique. I argue that this historical review and musical analysis demonstrate a degree of potential affinity between at least some Coptic hymnody and this regional musical tradition.\",\"PeriodicalId\":43622,\"journal\":{\"name\":\"ASIAN MUSIC\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/amu.2021.0007\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ASIAN MUSIC\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/amu.2021.0007\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ASIAN MUSIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/amu.2021.0007","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
Coptic Chant and Maqām: The Modal Heritage of a Liturgical Tradition
Abstract:In this article, I discuss the emergence of modal analysis of Coptic hymns by Coptic Egyptian scholars beginning in the 1970s. I then provide a brief history of maqām theory and discuss the subtopics of intonation and tetrachordal analysis as they apply to Coptic chant. Finally, I present a modal analysis of the festal version of the Coptic laḥn "Epouro" by Coptic Egyptian scholar Nabīl Kamāl Buṭrus along with my own annotation and critique. I argue that this historical review and musical analysis demonstrate a degree of potential affinity between at least some Coptic hymnody and this regional musical tradition.
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