{"title":"指标:文化性质和自然文化","authors":"M. Leone","doi":"10.4000/ESTETICA.7699","DOIUrl":null,"url":null,"abstract":"Umberto Eco’s essential contribution to semiotics consisted in finding a theoretical equilibrium between deconstructive tendencies, aiming at presenting cultural habits as pure conventional but naturalized products, and motivational trends, claiming the natural fundament of constructed cultural habits. Fully comprehending and turning into analytical frame the concept of sign in Charles S. Peirce was instrumental to reach such equilibrium. In no other aspect of Umberto Eco’s semiotics it manifests itself with more evidence than in the characterization of indexes. The article seeks to propose a general theorization of their semiotic nature, starting from Umberto Eco’s interpretation of Peirce.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Indexes: Cultural Nature and Natural Culture\",\"authors\":\"M. Leone\",\"doi\":\"10.4000/ESTETICA.7699\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Umberto Eco’s essential contribution to semiotics consisted in finding a theoretical equilibrium between deconstructive tendencies, aiming at presenting cultural habits as pure conventional but naturalized products, and motivational trends, claiming the natural fundament of constructed cultural habits. Fully comprehending and turning into analytical frame the concept of sign in Charles S. Peirce was instrumental to reach such equilibrium. In no other aspect of Umberto Eco’s semiotics it manifests itself with more evidence than in the characterization of indexes. The article seeks to propose a general theorization of their semiotic nature, starting from Umberto Eco’s interpretation of Peirce.\",\"PeriodicalId\":53954,\"journal\":{\"name\":\"Rivista di Estetica\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rivista di Estetica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/ESTETICA.7699\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rivista di Estetica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/ESTETICA.7699","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
Umberto Eco’s essential contribution to semiotics consisted in finding a theoretical equilibrium between deconstructive tendencies, aiming at presenting cultural habits as pure conventional but naturalized products, and motivational trends, claiming the natural fundament of constructed cultural habits. Fully comprehending and turning into analytical frame the concept of sign in Charles S. Peirce was instrumental to reach such equilibrium. In no other aspect of Umberto Eco’s semiotics it manifests itself with more evidence than in the characterization of indexes. The article seeks to propose a general theorization of their semiotic nature, starting from Umberto Eco’s interpretation of Peirce.
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