为伊拉斯谟的批评者辩护

IF 0.4 0 MEDIEVAL & RENAISSANCE STUDIES
John Monfasani
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引用次数: 0

摘要

这篇文章证实了安德鲁·J·布朗的论点,即尽管有日期为16世纪前十年的colophons,但由抄写员皮特·梅根制作的伊拉斯谟翻译的《新约》的四份豪华手稿直到15世纪20年代才完成,事实上,它保留了伊拉斯谟的翻译版本,直到15世纪50年代才可用。尽管如此,这篇文章继续证明,在梅根手稿中出现colophons的时候,伊拉斯谟就已经在翻译《新约》了。伊拉斯谟的翻译是他在15世纪末开始的反对中世纪经院哲学的大规模文化战争的一部分,并一直持续到1536年去世。然而,在这四十年里,伊拉斯谟周围的世界发生了根本性的变化,这在很大程度上是因为他自己的学术和著作,但伊拉斯谟斯本人在基本态度上几乎没有改变。结果是,到最后,他对形势变化的不连贯反应让新教徒和天主教的批评者都感到沮丧。他无法面对转变后的现实的标志是他对我的诠释 Timoth1:6,这成了对他在宗教教义上不连贯立场的无意识模仿,并在文章的附录中翻译。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In Defense of Erasmus’ Critics
The article confirms Andrew J. Brown’s thesis that despite carrying colophons with dates in the first decade of the sixteenth century, the four sumptuous manuscripts of Erasmus’ translation of the New Testament produced by the scribe Pieter Meghen could not have been finished until the 1520s and in fact preserve a version of Erasmus’ translation not available until the 1520s. Nonetheless, the article goes on to prove that Erasmus was working on a translation of the New Testament already at the time of the colophons in the Meghen manuscripts. Erasmus’ translation was part of his large-scale culture war against medieval scholasticism that he embarked upon at the end of the fifteenth century and continued until his death in 1536. The world around Erasmus changed radically, however, in those four decades, in significant measure because of his own scholarship and writings, but Erasmus himself changed amazingly little in his basic attitudes. The result was that by the end his critics from the Protestant as much as from the Catholic side were rightly frustrated by his incoherent reaction to the changed situation. Emblematic of his inability to face up to the transformed reality is his annotation to I Timothy1:6, which became an unconscious parody of his incoherent stance on religious doctrine and which is translated in an appendix to the article.
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来源期刊
Erasmus Studies
Erasmus Studies MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
自引率
0.00%
发文量
12
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