{"title":"《摩诃婆罗多》民间叙事中的释迦牟尼》","authors":"S. Sinha, K. Bhattacharya, S. Nandigama","doi":"10.21659/rupkatha.v15n2.23","DOIUrl":null,"url":null,"abstract":"The timelessness of The Mahabharata lies in its ability to re-invent itself, thereby giving the society a chance to re-negotiate, revise, and revive the discourse. It also gives the so-called ‘villains of the piece’, well established in the ‘rogues’ gallery’, a chance to redeem themselves. One such character is Sakuni, the ‘shrewd’ maternal uncle of the Kauravas, whose negative image in Vyasa’s textual universe is questioned by the folk renditions of the grand epic. The Oriya Mahabharata by Sarala Das views Sakuni not as the master conspirator who brought about the great war, but as a victim who suffered because of the court politics of the Kauravas. The strong popular culture that supports him is also evident in the narratives of the Kalbelias of Rajasthan, and in the folk renderings of the epic in Kerala. This makes us reflect as to why the meta-narrative has vilified Sakuni and treated him with contempt when the folk traditions view him in a more charitable light, or at least give him the benefit of doubt. This paper utilizes narrative research methods to understand the dehumanization of Sakuni in the dominant discourse. It employs the postmodern theories of psychoanalytical criticism and deconstruction in the study of the petite narratives associated with Sakuni to facilitate engagement, plurality, and divergence in the discourse. The paper attempts to read the chronicles of self, society, and social justice in these lesser-known narratives to liberate Sakuni from his filial debt and relocate him into the discursive universe.","PeriodicalId":43128,"journal":{"name":"Rupkatha Journal on Interdisciplinary Studies in Humanities","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Of Maternal Uncles and Mangalik Brides: Sakuni in the Folk Narrations of The Mahabharata\",\"authors\":\"S. Sinha, K. Bhattacharya, S. Nandigama\",\"doi\":\"10.21659/rupkatha.v15n2.23\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The timelessness of The Mahabharata lies in its ability to re-invent itself, thereby giving the society a chance to re-negotiate, revise, and revive the discourse. It also gives the so-called ‘villains of the piece’, well established in the ‘rogues’ gallery’, a chance to redeem themselves. One such character is Sakuni, the ‘shrewd’ maternal uncle of the Kauravas, whose negative image in Vyasa’s textual universe is questioned by the folk renditions of the grand epic. The Oriya Mahabharata by Sarala Das views Sakuni not as the master conspirator who brought about the great war, but as a victim who suffered because of the court politics of the Kauravas. The strong popular culture that supports him is also evident in the narratives of the Kalbelias of Rajasthan, and in the folk renderings of the epic in Kerala. This makes us reflect as to why the meta-narrative has vilified Sakuni and treated him with contempt when the folk traditions view him in a more charitable light, or at least give him the benefit of doubt. This paper utilizes narrative research methods to understand the dehumanization of Sakuni in the dominant discourse. It employs the postmodern theories of psychoanalytical criticism and deconstruction in the study of the petite narratives associated with Sakuni to facilitate engagement, plurality, and divergence in the discourse. The paper attempts to read the chronicles of self, society, and social justice in these lesser-known narratives to liberate Sakuni from his filial debt and relocate him into the discursive universe.\",\"PeriodicalId\":43128,\"journal\":{\"name\":\"Rupkatha Journal on Interdisciplinary Studies in Humanities\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-07-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rupkatha Journal on Interdisciplinary Studies in Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21659/rupkatha.v15n2.23\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rupkatha Journal on Interdisciplinary Studies in Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21659/rupkatha.v15n2.23","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Of Maternal Uncles and Mangalik Brides: Sakuni in the Folk Narrations of The Mahabharata
The timelessness of The Mahabharata lies in its ability to re-invent itself, thereby giving the society a chance to re-negotiate, revise, and revive the discourse. It also gives the so-called ‘villains of the piece’, well established in the ‘rogues’ gallery’, a chance to redeem themselves. One such character is Sakuni, the ‘shrewd’ maternal uncle of the Kauravas, whose negative image in Vyasa’s textual universe is questioned by the folk renditions of the grand epic. The Oriya Mahabharata by Sarala Das views Sakuni not as the master conspirator who brought about the great war, but as a victim who suffered because of the court politics of the Kauravas. The strong popular culture that supports him is also evident in the narratives of the Kalbelias of Rajasthan, and in the folk renderings of the epic in Kerala. This makes us reflect as to why the meta-narrative has vilified Sakuni and treated him with contempt when the folk traditions view him in a more charitable light, or at least give him the benefit of doubt. This paper utilizes narrative research methods to understand the dehumanization of Sakuni in the dominant discourse. It employs the postmodern theories of psychoanalytical criticism and deconstruction in the study of the petite narratives associated with Sakuni to facilitate engagement, plurality, and divergence in the discourse. The paper attempts to read the chronicles of self, society, and social justice in these lesser-known narratives to liberate Sakuni from his filial debt and relocate him into the discursive universe.
期刊介绍:
“The fundamental idea for interdisciplinarity derives” as our Chief Editor Explains, “from an evolutionary necessity; namely the need to confront and interpret complex systems…An entity that is studied can no longer be analyzed in terms of an object of just single discipline, but as a contending hierarchy of components which could be studied under the rubric of multiple or variable branches of knowledge.” Following this, we encourage authors to engage themselves in interdisciplinary discussion of topics from the broad areas listed below and apply interdsiciplinary perspectives from other areas of the humanities and/or the sciences wherever applicable. We publish peer-reviewed original research papers and reviews in the interdisciplinary fields of humanities. A list, which is not exclusive, is given below for convenience. See Areas of discussion. We have firm conviction in Open Access philosophy and strongly support Open Access Initiatives. Rupkatha has signed on to the Budapest Open Access Initiative. In conformity with this, the principles of publications are primarily guided by the open nature of knowledge.